Personal style, the image of the author in the work, originates neither in
deliberate self-portraiture nor in unconscious signatures. In the 2003 film The
Five Obstructions, the director Lars von Trier tries, and fails, to compel his
collaborator Jørgen Leth to ruin the style of his 1967 film The Perfect Human.
In doing so, von Trier inadvertently succeeds in distinguishing style from form.
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