Appleford, A . 2008. The Dance of Death in London: John Carpenter, John Lydgate, and the Daunce of Poulys. Journal of Medieval and Early Modern Studies 38 (2): 285–314.
Barron, C.M. and M.-H. Rousseau . 2004. Cathedral, City, and State, 1300–1540. In St. Paul's: The Cathedral Church of London, 604–2004, eds. D. Keene, A. Burns and A. Saint, 33–44. New Haven, CT: Yale University Press.
Berger, R.W . 1999. Public Access to Art in Paris: A Documentary History from the Middle Ages to 1800. University Park, PA: Pennsylvania State University Press.
Binski, P . 1996. Medieval Death: Ritual and Representation. Ithaca, NY: Cornell University Press.
Bolter, J.D. and R.A. Grusin . 1999. Remediation: Understanding New Media. Cambridge, MA: MIT Press.
Bowers, R.H . 1948. Iconography in Lydgate's ‘Dance of Death’. Southern Folklore Quarterly 12 (2): 111–128.
Chaucer, G . 1987. The Franklin's Tale. In The Riverside Chaucer, ed. L.D. Benson, 3rd edn. Boston, MA: Houghton Mifflin.
Clark, J.M . 1950. The Dance of Death in the Middle Ages and the Renaissance. Glasgow, UK: Jackson.
Davidson, C . 1988. The Guild Chapel Wall Paintings at Stratford-Upon-Avon. New York: AMS Press.
De Lincy, L . 1855. Description de la ville de Paris au XVe siècle par Guillebert de Metz. Paris, France: Auguste Aubry.
Derrida, J . 1996. Apories. Paris, France: Galilée.
DuBruck, E . 1958. Another Look at ‘Macabre.’ Romania 79: 536–543.
Dyson, F . 2009. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley, CA: University of California Press.
Eisler, R . 1948. Danse Macabre. Traditio 6: 187–225.
Enders, J . 2006. Death by Dance. Mediaevalia 27 (1): 135–153.
Eustace, F. and P.M. King . 2011. Dances of the Living and the Dead: A Study of Danse Macabre Imagery within the Context of Late-Medieval Dance Culture. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 43–71. Newcastle upon Tyne, UK: Cambridge Scholars.
Fleming, J . 2001. Graffiti and the Writing Arts of Early Modern England. Philadelphia, PA: University of Pennsylvania Press.
Foys, M.K . (forthcoming). In Media Res: Media Matters in Anglo-Saxon England. In A Handbook to Anglo-Saxon Studies, eds. J.A. Stodnick and R.R. Trilling. Malden, MA: Blackwell.
Franko, M . [1995] 2008. Mimique. In Migrations of Gesture, eds. C. Noland and S.A. Ness, 241–258. Minneapolis, MN: University of Minnesota Press.
Freeman, M . 2005. The Dance of the Living: Beyond the Macabre in Fifteenth-Century France. In Sur quel pied danser?, ed. E. Nye, 11–30. Amsterdam, the Netherlands: Rodopi.
Gayk, S . 2010. Image, Text, and Religious Reform in Fifteenth-Century England. New York: Cambridge University Press.
Gertsman, E . 2007. Death and the Miniaturized City: Nostalgia, Authority, Idyll. Essays in Medieval Studies 24: 43–52.
Gertsman, E . 2010. The Dance of Death in the Middle Ages: Image, Text, Performance. Turnhout, Belgium: Brepols.
Gil, J . 2002. The Dancer's Body. In A Shock to Thought: Expression after Deleuze and Guattari, ed. B. Massumi, 117–127. London: Routledge.
Gilbert, J . 2011. Living Death in Medieval French and English Literature. New York: Cambridge University Press.
Hammond, E.P . 1921. The Texts of Lydgate's Danse Macabre. Modern Language Notes 36 (4): 250–251.
Harding, V . 2002. The Dead and the Living in Paris and London, 1500–1670. Cambridge, UK: Cambridge University Press.
Harrison, A. and S. Hindeman . 1994. The Danse Macabre of Women: MS Fr. 995 of the Bibliothèque Nationale. Kent, OH: Kent State University Press.
Hayles, N.K . 1996. Embodied Virtuality: Or How to Put Bodies Back into the Picture. In Immersed in Technology: Art and Virtual Environments, ed. M.A. Moser, 1–28. Cambridge, MA: MIT Press.
Huet, G . 1917–1918. La Danse macabré. Le Moyen-âge 29: 148–167.
Kinch, A . 2002. The Danse Macabre and the Medieval Community of Death. Mediaevalia 23 (1): 159–202.
Knöll, S . 2011. Mix and Match: Huldrich Frölich's Danse Macabre Editions. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 385–405. Newcastle upon Tyne, UK: Cambridge Scholars.
Kralik, C . 2011. Dialogue and Violence in Medieval Illuminations of the Three Living and the Three Dead. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 133–154. Newcastle upon Tyne, UK: Cambridge Scholars.
Kürtz, L.P . 1975. The Dance of Death and the Macabre Spirit in European Literature. Geneva, Switzerland: Slatkine.
Langer, S.K . 1968. The Dynamic Image: Some Philosophical Reflections on Dance. In Aesthetics and the Arts, ed. L.A. Jacobus, 76–82. New York: McGraw Hill.
Lemé-Hébuterne, K . 2011. Places for Reflection: Death Imagery in Medieval Choir Stalls. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 269–290. Newcastle upon Tyne, UK: Cambridge Scholars.
Manasse, E.M . 1946. The Dance Motive of the Latin Dance of Death. Medievalia et Humanistica 4: 83–103.
Manning, E . 2006. Danser le virtuel. Jeu: revue de théâtre 119 (2): 61–68.
Manning, E . 2009. Relationscapes: Movement, Art, Philosophy. Cambridge, MA: MIT Press.
Massumi, B . 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.
Meyer-Baer, K . 1970. The Music of the Spheres and the Dance of Death: Studies in Musical Iconology. Princeton, NJ: Princeton University Press.
Oosterwijk, S . 2008. ‘For no man mai fro dethes stroke fle’: Death and Danse Macabre Iconography in Memorial Art. Church Monuments 23: 62–87; 166–168.
Oosterwijk, S . 2011. Dance, Dialogue and Duality: Fatal Encounters in the Medieval Danse Macabre. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 9–42. Newcastle upon Tyne, UK: Cambridge Scholars.
Oosterwijk, S. and S. Knöll, eds. 2011. Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe. Newcastle upon Tyne, UK: Cambridge Scholars.
Pächt, O . 1962. The Rise of Pictorial Narrative in Twelfth-Century England. Oxford: Oxford University Press.
Pearsall, D . 1987. Signs of Life in Lydgate's Danse Macabre. In Zeit, Tod und Ewigkeit in der Renaissance Literatur, ed. J. Hogg, 58–61. Salzburg, Austria: Institut für Anglistik und Amerikanstik.
Piccat, M . 2011. The Three Living and the Three Dead in Italian Art. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 155–167. Newcastle upon Tyne, UK: Cambridge Scholars.
Puddephat, W . 1960. The Mural Paintings of the Dance of Death in the Guild Chapel of Stratford-Upon-Avon. Birmingham Archaeological Society Transactions 76: 29–35.
Rooney, K . 2011. Romance Macabre: Middle English Narrative and the Dead in the Codex. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 192–206. Newcastle upon Tyne, UK: Cambridge Scholars.
Selden, D . 2010. Text Networks. Ancient Narrative 8: 1–23.
Seymour, M.C . 1983–1985. Some Lydgate Manuscripts: Lives of SS. Edmund and Fremund and Danse Macabre. Edinburgh Bibliographical Society Transactions 5 (4): 10–24.
Simpson, J . 2001. Bulldozing the Middle Ages: The Case of ‘John Lydgate’. New Medieval Literatures 4: 213–242.
Sperber, H . 1958. The Etymology of Macabre. In Studia Philologica et litteraria in honorem L. Spitzer, ed. A. G. Hatcher and K. L. Selig, 391–402. Bern: Francke.
Taylor, J.H.M . 1991. Que signifiait danse au quinzième siècle? Danse la Danse macabré. Fifteenth Century Studies 18: 259–277.
Taylor, M.C . 1998. Hiding. Chicago, IL: University of Chicago Press.
Warda, S . 2011. Dance, Music, and Inversion: The Reversal of the Natural Order in the Medieval Danse Macabre. In Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe, eds. S. Oosterwijk and S. Knöll, 73–100. Newcastle upon Tyne, UK: Cambridge Scholars.
Warren, F, ed. [1931] 1971. The Dance of Death, Edited from MSS Ellesmere 26/A.13 and B.M. Lansdowne 699, Collated with the Other Extant MSS, EETS o.s. 181. New York: Kraus Reprint.
Zumthor, P . 1992. Toward a Medieval Poetics, trans. Philip Bennett. Minneapolis, MN: University of Minnesota Press.