The transhistorical, transcultural life of sausages: From medieval morescas to New Mexican Matachines with Aby Warburg

Agamben, Giorgio. 1999. ‘Aby Warburg and the Nameless Science.’ Potentialities: Collected Essays in Philosophy, edited and translated by Daniel Heller-Roazen, 89-103. Stanford: Stanford University Press. Arbeau, Thoinot. 1589. Orchesographie. Lengres: Imprimé par Iehan des Preyz. Allen, Paula Gunn. 1987. ‘The Autobiography of a Confluence.’ I Tell You Now: Autobiographical Essays by Native American Writers, edited by Brian Swann and Arnold Krupat, 143-154. Lincoln: University of Nebraska Press. Allen, Paula Gunn. 1991. Grandmothers of the Light: A Medicine Woman’s Sourcebook. New York: Beacon Press Bancroft, Hubert Howe.1875. The Native Races of the Pacific States, Vol. III: Myths and Languages. New York: A. Appleton and Company. Bandelier, Adolf. 1890. The Delight Makers. New York: Dodd, Mead, and Company. Battaglia, Salvatore. 1997 (1975). Grande dizionario della lingua italiana, vol. 9. Torino: Corso Raffaello 28. Brooks, James F. 2002. Captives & Cousins: Slavery, Kinship, and Community in the Southwest Borderlands. Chapel Hill: University of North Carolina Press. Cestelli Guidi, Benedetta, and Nicholas Mann. 1998. Photographs at the Frontier: Aby Warburg in America 1895–1896. London: Merrell. Champe, Flavia. 1983. The Matachines Dance of the Upper Rio Grande. Lincoln: University of Nebraska Press. Chávez, Christine and Uwe Fleckner, eds. 2022. Lightning Symbol and Snake Dance: Aby Warburg and Pueblo Art. Berlin: Hatje Cantz. Colwell-Chanthaphonh, Chip. 2011. ‘Sketching Knowledge: Quandaries in the Mimetic Reproduction of Pueblo Ritual.’ American Ethnologist 38 (3): 451–467. D’Ancona, Alessandro. 1891. Origini del Teatro Italiano, 2nd edition. Torino: Ermanno Loescher. Didi-Huberman, Georges. 2017. The Surviving Image: Phantoms of Time and Time of Phantoms, translated by Harvey L. Mendelsohn. University Park: Pennsylvania State University Press. Dozier, Edward P. 1970. The Pueblo Indians of North America. New York: Holt, Rinehart, and Winston. Drury, Lindsey. 2021. ‘The Double Life of Pagan Dance: Indigenous Rituality, Early Modern Dance, and the Language of US Newspapers.’ European Journal of Theatre and Performance 3: 338–89. Drury, Lindsey. 2022. ‘The Blurred Bodies of Matachines: Aby Warburg’s Notes on a New Mexican Colonial Dance Drama.’ Lightning Symbol and Snake Dance: Aby Warburg and Pueblo Art, edited by Christine Chávez and Uwe Fleckner, 244 –51. Berlin: Hatje Cantz. Espinosa, Aurelio M. 1936. ‘Pueblo Indian Folk Tales,’ Journal of American Folk-Lore 49: 69–133. Espinosa, Aurelia M. (1945) 1992. ‘The “Agüelos” of New Mexico.’ In Working Paper #120, ‘Hispanic Los Aguelos and Puebo Tsave-Yohs,’ translated by Thomas J. Steele, unpag. Southwest Hispanic Research Institute, University of New Mexico. Forrest, John. 1984. Morris and Matachin: A Study in Comparative Choreography. Sheffield: CECTAL Publications. Garzoni, Tomaso. 1585. La Piazza Universale di Tutte Le Professioni del Mondo, edited by Giovanni Battista Somasco. Appresso G.B. Somascho. Harris, Max. 1996. ‘Moctezuma’s Daughter: The Role of La Malinche in Mesoamerican Dance.’ The Journal of American Folklore 109 (432): 149–77. Harris, Max. 1997. ‘The Return of Moctezuma: Oaxaca's “Danza de la Pluma” and New Mexico's “Danza de los Matachines.”’ TDR: The Drama Review 41 (1): 106–134. Harris, Max. 2000. Aztecs, Moors, and Christians: Festivals of Reconquest in Mexico and Spain. Austin: University of Texas Press. Heath-Coleman, Philip. 1985. ‘Forrest and Matachin: An Assessment of John Forrest’s “Morris and Matachin.”’ Folk Music Journal 5 (1): 83–96 Hurtado, Milena M. and Carols Mata Indurain. 2002. ‘Algo más sobre comedia burlesca y Carnaval: a propóposito de “El Mariscal de Virón,” de Juan de Maldonado.’ eHumanista. Journal of Iberian Studies 2: 161–75. Jaramillo, Cleofas M. 1941. Shadows of the Past (Sombras del Pasado). Santa Fe: Seton Village Press. Johnson, Christopher. 2012. Memory, Metaphor and Aby Warburg’s Atlas of Images. Ithaca: Cornell University Press. Kate, Herman Frederick Carel ten. 1885. Reizen en onderzoekingen in Noord-Amerika. Leiden: Brill. Kenley, McDowell E. 2012. ‘Il Mattaccino: Music and Dance of the Matachin and its Role in Italian Comedy.’ Early Music 40 (4): 659–70. Koerner, Joseph. 2012. ‘Writing Rituals: The Case of Aby Warburg.’ Common Knowledge 18 (1): 86–105. Kurath, Gertrude. 1949. ‘Mexican Moriscas: A Problem in Dance Acculturation.’ The Journal of American Folklore 62 (244): 87–106. Lemov, Rebecca. 2017. ‘Anthropology’s Most Documented Man, Ca. 1947: A Prefiguration of Big Data from the Big Social Science Era.’ Osiris 32 (1). Accessed 7 February 2023. Levin Roho, Danna A. 2011. ‘The Matachines Dance in Alcalde, A Mestizo Community in North-Central New Mexico.’ In Las vías del noroeste III: genealogías, transversalidades y convergencias, edited by Carlo Bonfiglioli, Arturo Gutiérrez, Marie Areti Hers, and Danna Levin, 525–63. Mexico City: Instituto de Investigaciones Antropológicas / Instituto de Investigaciones Estéticas. Lummis, Charles F. 1894. The Man Who Married the Moon. New York: The Century Company. Meketa, Jacqueline Dorgan. 1986. Legacy of Honor: The Life of Rafael Chacon, a Nineteenth-Century New Mexican. Albuquerque: University of New Mexico Press. Montgomery, Charles. 2002. The Spanish Redemption: Heritage, Power, and Loss on New Mexico's Upper Rio Grande. Berkeley: University of California Press. Nevile, Jennifer. 2004. The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy. Indianapolis: University of Indiana Press. Parsons, Elsie Clews and Ralph L. Beals. 1934. ‘The Sacred Clowns of the Pueblo and Mayo-Yaqui Indians.’ American Anthropologist 36 (4): 491–514. Restall, Matthew. 2021. Seven Myths of the Spanish Conquest. London: Oxford University Press. Rodríguez, Sylvia. 1996. The Matachines Dance: Ritual Symbolism and Interethnic Relations in the Upper Rio Grande Valley. Albuquerque: University of New Mexico Press. Romero, Brenda M. 1993. The Matachines Music and Dance in San Juan Pueblo and Alcalde, New Mexico: Contexts and Meanings. PhD Diss. Los Angeles: University of California. Romero, Brenda M. 2007. ‘La Danza Matachines as New Mexican Heritage.’ In Expressing New Mexico: Nuevomexicano Creativity, Ritual, and Memory, edited by Felipe Gonzales, 61–86. Tuscon: University of Arizona Press. Romero, Brenda M. 2009. ‘The Matachines Danza as Intercultural Discourse.’ In Dancing Across Borders: Danzas Y Bailes Mexicanos, edited by Olga Nájera-Ramírez, Norma E. Cantú, and Brenda M. Romero, 185-205. Chicago: University of Illinois Press. Ruprecht, Lucia. 2019. Gestural Imaginaries. London: Oxford University Press. Sabzalian, Leilani. 2019. Indigenous Children’s Survivance in Public Schools. New York: Routledge. Scolieri, Paul. 2013. Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest. Austin: University of Texas Press. Scott, James C. 1990. Domination and the Arts of Resistance. New Haven, CT: Yale University Press. Seed, Patricia. 2001. American Pentimento: The Invention of Indians and the Pursuit of Riches. Minneapolis: University of Minnesota Press. Steele, Thomas J. 2001. ‘The Matachine Agüelo: A Life outside the Theater.’ Western Folklore 60 (1): 25–46. Steinberg, Michael P. 1995. ‘Aby Warburg’s Kreuzlingen Lecture: A Reading.’ In Images from the Region of the Pueblo Indians of North America by Aby Warburg, translated by Michael P. Steinberg, 59–114. Ithaca: Cornell University Press. Sutton, Julia. 2011 [1967]. ‘Introduction.’ In: Orchesography: 16th-Century French Dance from Court to Countryside, by Thoinot Arbeau, translated by Mary Stewart Evans, 1–3. New York: Dover Publications. Talayesva, Don C. 1963. Sun Chief: The Autobiography of a Hopi Indian. Yale University Press. Tlapoyawa, Kurly. 2018. ‘The Mesoamerican Origins of the Matachines Dance.’ mexica.org: https://mexika.org/2018/04/11/the-mesoamerican-origins-of-the-matachines-dance/. Accessed April 14, 2023. Thompson, Jerry D. 2015. A Civil War History of the New Mexico Volunteers and Militia. Albuquerque: University of New Mexico Press. Treviño, Adrian and Barbara Gilles. 1994. ‘A History of Matachines Dances.’ New Mexico Historical Review 69 (2): 105–125. Vella, Stephanie. 2022. ‘Performance, Colonialism, and Survivals: Aby Warburg and the Matachines Dance in the US Southwestern Territories.’ TDR: The Drama Review 66 (1): 80–101. Vento, Arnoldo C. 1998. Mestizo. The History, Culture, and Politics of the Mexican and the Chicano: The Emerging Mestizo-Americans. Lanham: University Press of America. Vizenor, Gerald. 1999. Manifest Manners: Narratives on Postindian Survivance. Lincoln: University of Nebraska Press. Vollgraff, Matthew. 2022. ‘“…With the Eyes of an Anthropologist”: Aby Warburg and the Bureau of American Ethnology.’ In Lightning Symbol and Snake Dance: Aby Warburg and Pueblo Art, edited by Christine Chávez and Uwe Fleckner, 51–55. Berlin: Hatje Cantz. Warburg, Aby Moritz. 1896a. Cochiti notes. London, WIA, ZK 040/020799. Unpag. Warburg, Aby Moritz. 1896b. ‘Der Mattachines Tanz in Cubero.’ Aby Warburg’s Papers, The Warburg Institute, London. WIA III.2.1. ZK/67/17. Warbug, Aby Moritz. 1902–1904. Drafts and notes for ‘Die Stilwandlung in der weltlichen Malerei der Florentinischen Frührenaissance,’ 3. London, WIA, III.58.9. Warburg, Aby Moritz. 1995. Images from the Region of the Pueblo Indians of North America, edited by Michael P. Steinberg. Ithaca: Cornell University Press. Warburg, Aby Moritz. 1999. Aby Warburg: The Renewal of Pagan Antiquity. Los Angeles: Getty Research Institute Publications. Warburg, Aby Moritz. 2010. ‘Bilder aus dem Gebiet der Pueblo-Indianer in Nord America.’ Werke in einem Band, edited by Martin Treml, Sigrid Weigel, and Perdita Ladwig with Susanne Hetzer, Herbert Kopp-Oberstebrink and Christina Oberstebrink, 524–566. Berlin: Suhrkamp Verlag. Warburg, Aby Moritz. 2018. Bilder aus dem Gebiet der Pueblo-Indianer in Nord-Amerika: Vorträge und Fotografien. Edited by Uwe Fleckner, vol. 3.2 of Gesammelte Schriften: Studienausgabe. Berlin: De Gruyter.