Reaching for the stars: DingTalk and the Multi-platform creativity of a ‘one-star’ campaign on Chinese social media

Discourse, Context and Media - Tập 44 - Trang 100540 - 2021
Xiaoping Wu1,2, Richard Fitzgerald1
1Department of Communication, University of Macau, Avenida da Universidade, Taipa, Macau, China
2English Language and Literature Studies, BNU – HKBU United International College, Zhuhai, China

Tài liệu tham khảo

Brunner, 2017, Wild public networks and affective movements in China: environmental activism, social media, and protest in Maoming: wild public networks, J. Commun., 67, 665, 10.1111/jcom.12323

Burnett, 2013, Making sense of Internet censorship: a new frontier for Internet measurement, ACM SIGCOMM Comput. Commun. Rev., 43, 84, 10.1145/2500098.2500111

Darvin, 2021, Design, semiotic repertoires and the performance of identity on TikTok, Discourse, Context Media

Díaz-Cintas, 2018, ‘Subtitling’s a carnival’: new practices in cyberspace, J. Special. Transl., 30, 127

Djonov, 2018, Social media as semiotic technology and social practice: the case of ResearchGate’s design and its potential to transform social practice, Soc. Semiot., 28, 641, 10.1080/10350330.2018.1504715

Feng, 2018, Weibo interaction in the discourse of internet anti-corruption: The case of ‘Brother Watch’ event, Discourse, Context Media, 24, 99, 10.1016/j.dcm.2018.02.002

Huang, 2014, Weibo network, information diffusion and implications for collective action in China, Inf. Commun. Soc., 17, 86, 10.1080/1369118X.2013.853817

Jewitt, 2016, Multimodal analysis, 69

Jiang, 2019, Exploring local meaning-making resources: a case study of a popular Chinese internet meme (biaoqingbao), Internet Pragmat., 3, 260, 10.1075/ip.00042.jia

Lagerkvist, 2010

Lee, 2016, Surviving online censorship in China: three satirical tactics and their impact, China Quart., 228, 1061, 10.1017/S0305741016001454

Mao, 2020, Feminist activism via social media in China, Asian J. Women’s Stud., 26, 245, 10.1080/12259276.2020.1767844

Meng, 2011, From steamed bun to grass mud horse: E Gao as alternative political discourse on the Chinese Internet, Global Media Commun., 7, 33, 10.1177/1742766510397938

Montgomery, 2015, Digital Discourse and the Online Public Sphere: A Comparison of Two Internet Episodes – ‘Binders Full of Women’’ in the USA, and “Watchgate” in the PRC’, 160

O’Halloran, 2011, Multimodal analysis and digital technology, 21

Poulsen, 2018, Studying social media as semiotic technology: a social semiotic multimodal framework, Soc. Semiot., 28, 700, 10.1080/10350330.2018.1505689

Poulsen, 2018, Special issue: social media as semiotic technology, Soc. Semiot., 28, 593, 10.1080/10350330.2018.1509815

Rauchfleisch, 2015, Multiple public spheres of Weibo: a typology of forms and potentials of online public spheres in China, Inf., Commun. Soc., 18, 139, 10.1080/1369118X.2014.940364

Ren, 2018, Exploring Chinese digital communication, Discourse, Context Media, 26, 1, 10.1016/j.dcm.2018.07.002

Ren, 2018, Mitigation in Chinese online consumer reviews, Discourse, Context Media, 26, 5, 10.1016/j.dcm.2018.01.001

Sandel, 2002, Kinship address: Socializing young children in Taiwan, Western J. Commun., 66, 257, 10.1080/10570310209374737

Sandel, 2020, Code switching and language games in contemporary China; or, convergence and identity construction on WeChat, 175

Sandel, 2021, Selling Intimacy Online: The multi-modal discursive techniques of China’s female and male wanghong, Discourse, Context & Media

Sangren, 2017

Shan, 2017, Social media and the public sphere in China: a case study of political discussion on Weibo after the Wenzhou high-speed rail derailment accident, 410

Shao, 2018, The dilemma of criticism: disentangling the determinants of media censorship in China, J. East Asian Stud., 18, 279, 10.1017/jea.2018.19

Sindoni, 2021, Discourses on discourse, shifting contexts and digital media, Discourse, Context Media, 43, 100534, 10.1016/j.dcm.2021.100534

Sun, 2019, Celebratory consumerism on China’s Singles’ Day: from grass-roots holiday to commercial festival, Global Media Commun., 15, 233, 10.1177/1742766519848453

Tang, 2013, The politics of flies: mocking news in Chinese cyberspace, Chinese J. Commun., 6, 482, 10.1080/17544750.2013.844190

Tang, 2011, Symbolic power and the internet: The power of a ‘horse’, Media Cult. Soc., 33, 675, 10.1177/0163443711404462

Teng, 2021, Colours as a Semiotic Mode and a Contextualization Cue: Colour-turning Practices Mediated by Danmu Medium on Bilibili, Discourse, Context & Media

Tong, 2013, War of position and microblogging in China, J. Contemp. China, 22, 292, 10.1080/10670564.2012.734084

Upside-Down Face emoji. (2018). Emoji Dictionary. Available at: https://www.dictionary.com/e/emoji/upside-down-face-emoji/ (accessed 15 August 2021).

van Leeuwen, 2004

van Leeuwen, 2013, ‘David Byrne really does love powerpoint’: art as research on semiotics and semiotic technology, Soc. Semiot., 23, 409, 10.1080/10350330.2012.738998

Vásquez, 2019, From “My Manly Husband…” to “… Sitting Down to Take a Pee”: The Construction and Deconstruction of Gender in Amazon Reviews, 193

Wang, 2018, Framing food safety issues in China: The negotiation between ‘official discourse’ in newspapers and ‘civil discourse’ on Weibo, 77

Wu, 2020, ‘Straight man cancer’: The discursive representation and backlash of sexism on China’s internet, 181

Wu, 2021, ‘Hidden in plain sight’: Expressing political criticism on Chinese social media, Discourse Studies, 22, 365, 10.1177/1461445620916365

Wu, 2020, Witnessing in crisis contexts in the social media age: The case of the 2015 Tianjin blasts on Weibo, Media, Culture & Society, 42, 675, 10.1177/0163443719855300

Xu, 2015, Networked creativity on the censored Web 2.0: Chinese users’ twitter-based activities on the issue of internet censorship, J. Contemp. Eastern Asia, 14, 23, 10.17477/jcea.2015.14.1.023

Yang, 2016, Rethinking China’s Internet censorship: the practice of recoding and the politics of visibility, New Media Soc., 18, 1364, 10.1177/1461444814555951

Yang, 2009

Yang, 2013, Contesting food safety in the Chinese media: between hegemony and counter-hegemony, China Quart., 214, 337, 10.1017/S0305741013000386

Yang, 2019, Performing cyber-nationalism in twenty-first-century China The case of Diba Expedition, 1

Yang, 2020, The danmaku interface on Bilibili and the recontextualised translation practice: a semiotic technology perspective, Soc. Semiot., 30, 254, 10.1080/10350330.2019.1630962

Ying, 2020, Understanding memes on Chinese social media Biaoqing, Chinese Lang. Discourse, 11, 226, 10.1075/cld.20009.lu

Yuan, 2015, The Symbolic Power of Chinese “Internet Buzzwords”, Asia Dialogue.

Zhang, 2020, Making sense of Danmu: coherence in massive anonymous chats on Bilibili.com, Discourse Stud., 22, 483, 10.1177/1461445620940051

Zhang, 2020, Adopting Japanese in a popular Chinese video-sharing website: heteroglossic and multilingual communication by online users of Bilibili.com, Int. Multilingual Res. J., 14, 20, 10.1080/19313152.2019.1627856