Mediators in visual interaction: An analysis of the “Poietic Generator” and “Open Studio”

Reichardt, 1971 Popper, 1993 Lovejoy, 1997 Wilson, 2002 E. Giaccardi, Movements and passages: the legacy of net art, in: P. Brown, C. Mason (Eds.), Re:Searching Our Origins: Critical and Archival Histories of the Electronic Arts, LEA Special Issue, vol. 13(4), 2005. Candy, 2002 Ascott, 2003 G. Fischer, Beyond “couch potatoes”: from consumers to designers and active contributors, FirstMonday: Peer-Reviewed Journal on the Internet, 2002. Available at: http://firstmonday.org/issues/issue7_12/fischer/> Couchot, 1988 Quéau, 1986 Varela, 1991 Burnett, 2004 E. Giaccardi, Principles of metadesign: processes and levels of co-creation in the new design space, Ph.D. Dissertation, CAiiA-STAR, University of Plymouth, UK, 2004. Available at: http://x.i-dat.org/~eg/> Yin, 1994 Varela, 1999, First-person methodologies: What, why, how?, 1 Kandinsky, 1947 Klee, 1948 Arnheim, 1954 W. Kandinsky, Point and Line to Plane: Contribution to the Analysis of the Pictorial Elements, The Solomon R. Guggenheim Foundation for the Museum of Non-Objective Painting, New York, 1947. J. Itten, The Art of Color: The Subjective Experience and Objective Rationale of Color, Reinhold Publications Corp., New York, 1961 (translated by Ernst van Haagen). Feininger, 1972 Tufte, 2001 Brusatin, 1993 Giannì, 1993 Roy, 1998 Thompson, 1995 Purves, 2003 Dubin, 2004, Artistic seeing, vision science and scientific visualization, Leadership Medica, 20, 4 Berlin, 1969 M. Brusatin, A History of Colors, Shambhala, Boston, New York, 1991 (translated by R.H. Hopcke and P. Schwartz). Gage, 1999 Johnson, 1987 O’Regan, 2001, A sensorimotor account of vision and visual consciousness, Behavioral and Brain Sciences, 24, 939, 10.1017/S0140525X01000115 Merleau-Ponty, 1945 Bureaud, 2002, Communication art, network art, net art, 11 Paul, 2003 Cornock, 1973, The creative process where the artist is amplified or superseded by the computer, Leonardo, 6, 11, 10.2307/1572419 Burnham, 1970, The Aesthetics of Intelligent Systems, 95 F. Popper, De la participation à l’interactivité dans les arts plastiques, Vers une Culture de l’Interactivité?—Actes du Colloque, Cité des Sciences et de l’Industrie La Villette, Paris, May 19–20, 1988. Borillo, 2002 A. Deck, In search of meaningful events: curatorial algorithms and malleable aesthetics, in: Proceedings of Museums and the Web 1999, March 11–14, 1999, New Orleans, LA. Available at: http://artcontext.org/crit/essays/cur_al/> Varela, 1999, The specious present: a neurophenomenology of time consciousness Maturana, 1980 Bjorken, 1964 Wiederhold, 1992, Mediators in the architecture of future information systems, IEEE Computer Magazine, 25, 38, 10.1109/2.121508 Stepanic, 2003, Notion of mediators in human interaction, Interdisciplinary Description of Complex Systems, 1, 41 K. Kuutti, T. Arvonen, Identifying potential CSCW applications by means of activity theory concepts: a case example, in: Proceedings of CSCW 92, October 31–November 4, 1992, Toronto, Canada, pp. 233–240. Gibson, 1979 W.W. Gaver, Technology affordances, in: Proceedings of CHI 91, 28 April–2 May, New Orleans, LA, 1991, pp. 79–84. Torenvliet, 2003, We can’t afford it!, Interactions, 10, 12, 10.1145/838830.838857 H. Albrechtsen, H.H.K. Andersen, S. Bødker, A.M. Pejtersen, Affordances in Activity Theory and Cognitive Systems Engineering, Risø-R-1287(EN), Risø National Laboratory, Aarhus, Denmark, August 2001. Norman, 1999, Affordance, conventions, and design, Interactions, 6, 38, 10.1145/301153.301168 D.C. Engelbart, Augmenting human intellect: a conceptual framework, Summary Report AFOSR-3223 under Contract AF 49(638)-1024, SRI Project 3578 for Air Force Office of Scientific Research, Stanford Research Institute, Menlo Park, CA, October 1962. Norman, 1993 Hutchins, 1995 Schön, 1983 Bruner, 1996 G. Fischer, K. Nakakoji, J. Ostwald, Supporting the evolution of design artifacts with representations of context and intent, in: Proceedings of DIS’95, Symposium on Designing Interactive Systems, Ann Arbor, MI, pp. 7–15. Star, 1989, The structure of ill-structured solutions: boundary objects and heterogeneous distributed problem solving, vol. II, 37 Bowker, 1999 Arias, 2000, Transcending the individual human mind: creating shared understanding through collaborative design, ACM Transactions on Computer–Human Interaction, 7, 84, 10.1145/344949.345015 J. Ostwald, Knowledge construction in software development: the evolving artifact approach, Ph.D. Dissertation, University of Colorado at Boulder, 1996. Nakakoji, 2000, Computational support for collective creativity, Knowledge-Based Systems Journal, 13, 451, 10.1016/S0950-7051(00)00069-1 Jakobson, 1960, Closing statement: linguistics and poetics, 350 Dourish, 2001 Hayles, 1999 Hansen, 2000 Fodor, 1981, How direct is visual perception? Some reflections on Gibson's ecological approach, Cognition, 9, 139, 10.1016/0010-0277(81)90009-3 E. Giaccardi, Interactive strategies of network art: relationships and agency, in: Proceedings of the Third Conference on Computers in Art & Design Education (CADE ‘99), University of Teesside, Middlesbrough, UK, April 7–9, 1999. E. Giaccardi, Interconnectivity and relational embodiment in art and design, in: Proceedings of the Tenth International Symposium on Electronic Art (ISEA2000), Paris, December 7–10, 2000. Available at: http://www.art3000.com/> Taylor, 2002, Creativity in evolution: individuals, interactions, and environments, 79 Dix, 1993 Fischer, 2004, Meta-design: a manifesto for end-user development, Communications of the ACM, 47, 33, 10.1145/1015864.1015884 E. Giaccardi, G. Fischer, Creativity and evolution: a metadesign perspective, in: Proceedings of the Sixth International Conference of the European Academy of Design (EAD06) on Design→System→Evolution, Bremen, Germany, March 29–31, 2005. Wyszecki, 1967 Abramov, 1994, Color appearance: On seeing red—or yellow, or green, or blue, Annual Review of Psychology, 45, 451, 10.1146/annurev.ps.45.020194.002315 I. Newton, The First Book of Opticks: Or A Treatise of the Reflexions, Refractions, Inflexions and Colours of Light, Walford, London, 1704. Goethe, 1971 Albers, 1963