Frontiers of Literary Studies in China

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An analytical analysis and summary of historical literary works—use of silver in the fiction and operas of the Yuan and Ming Dynasties
Frontiers of Literary Studies in China - Tập 1 Số 4 - Trang 555-570 - 2007
Shen Bo-jun
The royal courts of the Yuan and early Ming period pursued a paper currency policy and prohibited silver from being circulated by royal decree. But the uses of silver in daily life and commercial activities could be often seen in the fictions and operas of this era. This is an active reflection of social life of that time, and indicates that the binding force of the royal decrees over the ...... hiện toàn bộ
The interpretative chain of modern Chinese literature and the formation of the “New Tradition”
Frontiers of Literary Studies in China - Tập 4 - Trang 161-189 - 2010
Rumin Wen
The modern Chinese literary tradition that emerged along with the May Fourth Movement has already spilt over into every aspect of contemporary Chinese life. As shaping force in Chinese literary and cultural evolution, this “New Tradition” calls for renewed critical scrutiny. In the face of new contemporary challenges that threaten to subvert the May Fourth literary tradition, the value of this tra...... hiện toàn bộ
From early compilations to a corpus: The making of a literary talent
Frontiers of Literary Studies in China - Tập 4 - Trang 630-643 - 2010
Zhenghong Chen
Shuangliu xuan shiwen ji 双柳轩诗文集 (Anthology of sanctum with two willows) was an anthology of some early works of Yuan Mei (1716–1798), an eminent writer of the Qing dynasty, and had been published before he got famous. Taking the enormous differences found during collation of this anthology with Yuan Mei quan ji 袁枚全集 (Corpus of Yuan Mei), a contemporary collated edition of Xiaocangshan fang quan ji...... hiện toàn bộ
Evaluative standard for the eight-legged essay in the imperial examinations of the Qing Dynasty
Frontiers of Literary Studies in China - Tập 1 - Trang 610-631 - 2007
Yanming Gong, Mingyang Gao
The eight-legged essay was the dominant portion of the imperial examinations in the Qing Dynasty (Qing Chao 清朝 CE 1644–1911). However, the study on the evaluative standards for the eight-legged essay is often neglected and insufficiently discussed. Based on an investigation of A Complete Collection of Vermillion Examination Essays in the Qing Dynasty, the author of this paper proposes that the fou...... hiện toàn bộ
Criticisms on the Ming poetics by poetic circles in the early Qing dynasty
Frontiers of Literary Studies in China - Tập 2 - Trang 404-435 - 2008
Yin Jiang
The theoretical target and the discourse system of the Qing poetics were gradually established on the basis of extensive criticisms on the Ming poetics. The criticisms made on the Ming poetics in the early Qing dynasty primarily focused on three aspects: common practice of imitation, narrowly restricted outlooks of schools and poetry writing as part of social intercourses. The early Qing poets dir...... hiện toàn bộ
The traditional and modern conflicts of the literary innovation at the threshold of the 20th century
Frontiers of Literary Studies in China - Tập 2 - Trang 583-598 - 2008
Aihe Guan
As the greatest event in the historical development of Chinese literature in the 20th century, May Fourth literary revolution expedites the transition of the Chinese literature from tradition to modernity by advocating the reforms in literary concepts, genres and language. The so-called Tongcheng School which lasts more than two hundred years in the Qing dynasty turns out to be a sacrifice in the ...... hiện toàn bộ
A retrospect on the evolution of ci poetry style and compositional rules during the Ming and Qing dynasties
Frontiers of Literary Studies in China - - 2008
Hongsheng Zhang
The construction of ci poetry at the joint of Ming and Qing dynasties was embodied not only in its composition and respective theories, but in its pattern and rhythm. Ci experts, represented by Wan Shu, characterizes the rise and fall of ci in the Ming dynasty, commented on Shiyu tupu... hiện toàn bộ
On Qianzi wen in the Sinological literary history of Asia
Frontiers of Literary Studies in China - Tập 3 - Trang 348-364 - 2009
Xiaoping Wang
Qianzi wen exerted great influence in Japan. Nowadays, experts find it necessary to further study the numerous and diverse sequels of Qianzi wen, because no systematic research had actually been made on them. This article, focusing on the spread of Qianzi wen in Korean Peninsula and Japan, is intended to discuss its influence on East Asian literature, especially on Sinolog...... hiện toàn bộ
Perception of “inner China” and legitimate Cathay concepts in the literature of Jin Dynasty
Frontiers of Literary Studies in China - Tập 1 Số 3 - Trang 431-448 - 2007
Liu Yang-zhong
The royal government of the Jin Dynasty (Jin Chao 金朝 CE 1115–1234) had regarded itself as a legitimate Cathay dynasty while the Song (Song Chao 宋朝 CE 960–1279) and Jin were confronting each other in military and political affairs. The “inner China” notion and the legitimate Cathay perception were bred in the Jin Dynasty along with the historical trend of merging the Han nationality with al...... hiện toàn bộ
Zhan Kai and five “novels of women’s liberation” of the late Qing
Frontiers of Literary Studies in China - Tập 5 - Trang 537-565 - 2011
Ellen Widmer
Zhan Kai’s 詹垲 (c. 1860–c. 1910) two novels about women’s liberation of 1907 (Zhongguo xin nühao 中国新女豪 and Nüzi quan 女子权) are compared with each other and with three slightly earlier novels that could have been influences: Nü yuhua 女狱花 of 1904, Nüwa shi 女娲石 of 1904, and Huang Xiuqiu 黄绣球 of 1905–7. An effort is made to show what he might have borrowed and what were the most original points in Zhan’s...... hiện toàn bộ
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