Frontiers of Literary Studies in China

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An analytical analysis and summary of historical literary works—use of silver in the fiction and operas of the Yuan and Ming Dynasties
Frontiers of Literary Studies in China - Tập 1 Số 4 - Trang 555-570 - 2007
Shen Bo-jun
The royal courts of the Yuan and early Ming period pursued a paper currency policy and prohibited silver from being circulated by royal decree. But the uses of silver in daily life and commercial activities could be often seen in the fictions and operas of this era. This is an active reflection of social life of that time, and indicates that the binding force of the royal decrees over the ...... hiện toàn bộ
The interpretative chain of modern Chinese literature and the formation of the “New Tradition”
Frontiers of Literary Studies in China - Tập 4 - Trang 161-189 - 2010
Rumin Wen
The modern Chinese literary tradition that emerged along with the May Fourth Movement has already spilt over into every aspect of contemporary Chinese life. As shaping force in Chinese literary and cultural evolution, this “New Tradition” calls for renewed critical scrutiny. In the face of new contemporary challenges that threaten to subvert the May Fourth literary tradition, the value of this tra...... hiện toàn bộ
From early compilations to a corpus: The making of a literary talent
Frontiers of Literary Studies in China - Tập 4 - Trang 630-643 - 2010
Zhenghong Chen
Shuangliu xuan shiwen ji 双柳轩诗文集 (Anthology of sanctum with two willows) was an anthology of some early works of Yuan Mei (1716–1798), an eminent writer of the Qing dynasty, and had been published before he got famous. Taking the enormous differences found during collation of this anthology with Yuan Mei quan ji 袁枚全集 (Corpus of Yuan Mei), a contemporary collated edition of Xiaocangshan fang quan ji...... hiện toàn bộ
Perception of “inner China” and legitimate Cathay concepts in the literature of Jin Dynasty
Frontiers of Literary Studies in China - Tập 1 Số 3 - Trang 431-448 - 2007
Liu Yang-zhong
The royal government of the Jin Dynasty (Jin Chao 金朝 CE 1115–1234) had regarded itself as a legitimate Cathay dynasty while the Song (Song Chao 宋朝 CE 960–1279) and Jin were confronting each other in military and political affairs. The “inner China” notion and the legitimate Cathay perception were bred in the Jin Dynasty along with the historical trend of merging the Han nationality with al...... hiện toàn bộ
Zhan Kai and five “novels of women’s liberation” of the late Qing
Frontiers of Literary Studies in China - Tập 5 - Trang 537-565 - 2011
Ellen Widmer
Zhan Kai’s 詹垲 (c. 1860–c. 1910) two novels about women’s liberation of 1907 (Zhongguo xin nühao 中国新女豪 and Nüzi quan 女子权) are compared with each other and with three slightly earlier novels that could have been influences: Nü yuhua 女狱花 of 1904, Nüwa shi 女娲石 of 1904, and Huang Xiuqiu 黄绣球 of 1905–7. An effort is made to show what he might have borrowed and what were the most original points in Zhan’s...... hiện toàn bộ
The New Type of Buddhist Chanting and the Poetry Transformation in Yongming Reign’s Period
Frontiers of Literary Studies in China - Tập 4 Số 4 - Trang 523-552 - 2010
Jin Xi, Xiaodun Wang
This paper examines the Buddhist chanting in Wei, Jin and Southern and Northern dynasties from several aspects, such as the historical position of it, the reason for its flourish, its speech way, etc. This paper also redetermines the relationship between Buddhist chanting and poetry writing in middle ancient times. The results for this research are as the following: First, The effective fa...... hiện toàn bộ
Literary criticism, public space, and social justice
Frontiers of Literary Studies in China - Tập 4 - Trang 253-282 - 2010
Jun Wu
Taking the profound impacts of generalized system, new electronic media, and subculture into consideration, this paper holds that, presently China has entered an era of comprehensive social transition, along with the tendency that the era of the former unified or centralized literature (criticism) values will come to an end. For this reason, literary criticism will probably go into public space in...... hiện toàn bộ
The legitimacy and modernity of Chinese traditional poetry and lyrics in the 20th century
Frontiers of Literary Studies in China - Tập 3 - Trang 1-23 - 2009
Youkang Chen
For a long time, the legitimacy of Chinese traditional poetry and lyrics has been suspected, denied or suspended. Therefore, it was deserted by literature studies and literature history writing. Accordingly, it caused a man-made barrier to this part of literature resources. Some researchers have doubted and denied the legitimacy of traditional poetry and lyrics and some paid no attention to the fa...... hiện toàn bộ
How did itinerant poets in the Southern Song Dynasty make a living?
Frontiers of Literary Studies in China - Tập 1 - Trang 477-500 - 2007
Junqing Fei
How did itinerant poets in the Southern Song Dynasty make a living? This is still a question yet to be further explored. People used to think that itinerant poets made a living primarily by calling on noble and influential people and appealing to them for help. However, this presumption is not without its flaws. Based upon a large quantity of historical data, this paper reveals some of the means o...... hiện toàn bộ
On Ssu-k’ung T’u’s Shih-p’in
Frontiers of Literary Studies in China - - 2011
Achilles Fang
This paper was drafted by Achilles Fang (1910–1995) who was a senior lecturer of the Department of East Asian Languages and Civilizations of Harvard University. The paper is kept in Harvard University Archives. According to Achilles Fang’s description in the first edition, “The first draft of this iconoclastic paper was drafted in the early 1960’s and, after lying in dust for more than a d...... hiện toàn bộ
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