Sorokin’s Amitology and Lewis’s Four Loves:Integrating Scientific and Artistic Imaginations
Tóm tắt
Taking Mangone and Dolgov’s 2019 article on Pitirim Sorokin’s “altruistic creative love” as a point of departure, I argue that Sorokin’s scientific approach could be further developed by linking it with work expressing an esthetic, artistic perspective. To illustrate, I compare Sorokin’s treatment of love, altruism, and amitology with writings by British author Clive Staples (“C.S.”) Lewis, especially The Four Loves (1960). I also draw on selected autobiographical and biographical sources, in order to illumine the development of distinctive scientific and artistic sensibilities in the two writers. In contrast to Sorokin’s application of a scientific frame of reference, including abstract variables, measurement strategies, and causal analysis, Lewis offers a treatment grounded in personal experience that has affinities with “thick description” in the social sciences, as well as auto-ethnography and Kurt Wolff’s phenomenological method of “surrender and catch.” The scientific frame yields a more detached, external knowledge, whereas the artistic produces a more immediate, interior type of knowing. I conclude that combining scientific and artistic understandings of love would accomplish part of the ambitious program that Sorokin called Integralism, while also contributing to the project of creating a “positive” sociology that Mangone and Dolgov advocate.
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