Mask maker, mask maker: The black gay subject in 1970s popular culture
Tóm tắt
Black gay artists have created a sustained body of literature that has served as a springboard for their creative and intellectual energies. In the 1980s and 1990s, black gay male textuality blossomed. The result is a minor literature establishing a black gay male sensibility and a distinctly Afro-Gay perspective. The political and poetic influence of these works is demonstrated visually in Looking For Langston by Isaac Julien, in Tongues Untied by the late Marlon Riggs, and to a lesser extent, Paris is Burning by Jennie Livingston. These documentaries seek to further a strategy of black gay representation. This essay explores the historical precedents for such outpouring. By situating pre-1980s representations of black gay men, I examine images of the black gay subject in the popular literature and culture of the 1970s, especially in one of the most popular works of the decade, Victor Dodson’s book, Black and Gay. I will also mention the ways in which contemporary writers, poets, film artists, and theater and performance ensembles such as Pomo Afro Homo allow black gay men to perform satirical roles that signify upon those earlier characterizations, images, and depictions, which seek to further marginalize them and, through performance, exhaust those contradictory conditions, silence often misnamed.
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