Careers in the right beat: US jazz musicians' typical and non‐typical trajectories
Tóm tắt
Từ khóa
Tài liệu tham khảo
Abbott, A. (2001), “On the concept of turning point”, in Abbott, A. (Ed.), Time Matters: On Theory and Method, The University of Chicago Press, Chicago, IL.
Becker, H.S. (1974), “Art as collective action”, American Sociological Review, Vol. 39 No. 6, pp. 767‐76.
Becker, H.S. (1982), Art Worlds, University of California Press, Berkeley, CA.
Bourdieu, P. (1984), Homo Academicus, Les Editions de Minuit, Paris.
Bourdieu, P. (1987), Choses dites, Les Editions de Minuit, Paris.
Bourdieu, P. (1992), Les règles de l'art: genèse et structure du champ littéraire, Editions du Seuil, Paris.
Bourdieu, P. (1993a), “Some properties of fields”, in Bourdieu, P. (Ed.), Sociology in Question, Sage Publications, London, pp. 72‐6.
Bourdieu, P. (1993b), “The field of cultural production”, The Field of Cultural Production, Columbia University Press, New York, NY, pp. 29‐73.
Caves, R.E. (2000), Creative Industries: Contracts between Art and Commerce, Harvard University Press, Cambridge, MA.
Davis, M. and Troupe, Q. (1989), Miles, The Autobiography, Touchstone, New York, NY.
DeVeaux, S. (1997), The Birth of Bebop: A Social and Musical History, University of California Press, Berkeley, CA.
DiMaggio, P.J. (1987), “Classification in art”, American Sociological Review, Vol. 52 No. 4, pp. 440‐55.
DiMaggio, P. (1988), “Interest and agency in institutional theory”, in Zucker, L.G. (Ed.), Institutional Patterns and Organizations: Culture and Environment, Ballinger, Cambridge, MA, pp. 3‐21.
DiMaggio, P.J. (1991), “Constructing an organizational field as a professional project: US art museums”, in Powell, W.W. and DiMaggio, P.J. (Eds), The New Institutionalism in Organizational Analysis, The University of Chicago Press, Chicago, IL, pp. 267‐92.
DiMaggio, P.J. (2002), “Endogenizing ‘animal spirits’: toward a sociology of collective response to uncertainty and risk”, in Guillén, M.F., Collins, R., England, P. and Meyer, M. (Eds), The New Economic Sociology: Developments in an Emerging Field, Russell Sage Foundation, New York, NY, pp. 79‐100.
Emirbayer, M. and Mische, A. (1998), “What is agency?”, American Journal of Sociology, Vol. 103 No. 4, pp. 962‐1023.
Faulkner, R.R. (1983), Music on Demand: Composers and Careers in the Hollywood Film Industry, Transaction Books, New Brunswick, NJ.
Fligstein, N. (1997), “Social skill and institutional theory”, The American Behavioral Scientist, Vol. 40 No. 4, pp. 397‐405.
Gendron, B. (1995), “‘Moldy Figs’ and modernists: jazz at war (1942‐1946)”, in Gabbard, K. (Ed.), Jazz Among the Discourses, Duke University Press, Durham, NC, pp. 31‐56.
Greenfeld, L. (1989), Different Worlds: A Sociological Study of Taste, Choice and Success in Art, Cambridge University Press, Cambridge.
Heimer, C.A. (2001), “Cases and biographies: an essay on routinization and the nature of comparison”, Annual Review of Sociology, Vol. 27, pp. 47‐76.
Iellatchitch, A., Mayrhofer, W. and Meyer, M. (2003), “Career fields: a small step towards a grand career theory?”, International Journal of Human Resource Management, Vol. 14 No. 5, pp. 728‐50.
Jones, C. (2002), “Signaling expertise: how signals shape careers in creative industries”, in Peiperl, M.A., Arthur, M.B., Goffee, R. and Anand, N. (Eds), Career Creativity: Explorations in the Remaking of Work, Oxford University Press, Oxford, pp. 209‐28.
Kamoche, K. (1996), “Strategic human resource management within a resource‐capability view of the firm”, Journal of Management Studies, Vol. 33 No. 2, pp. 213‐33.
Lawrence, A.H. (2001), Duke Ellington and His World, Routledge, New York, NY.
Maggin, D.D. (2005), The Life and Times of John Birks Gillespie, HarperCollins, New York, NY.
Menger, P.‐M. (1999), “Artistic labor markets and careers”, Annual Review of Sociology, Vol. 25, pp. 541‐74.
Owens, T. (2001), “Dizzy Gillespie”, in Kernfeld, B. (Ed.), The New Grove Dictionary of Jazz, Vol. 2, Oxford University Press, Oxford, pp. 35‐9.
Peterson, R.A. (1972), “A process model of the folk, pop and fine art phases of jazz”, in Nanry, C. (Ed.), American Music: From Storyville to Woodstock, Transaction Books, New Brunswick, NJ.
Peterson, R.A. (1997), Creating Country Music: Fabricating Authenticity, The University of Chicago Press, Chicago, IL.
Peterson, R.A. and Anand, N. (2002), “How chaotic careers create orderly fields”, in Peiperl, M., Arthur, M., Goffee, R. and Anand, N. (Eds), Career Creativity: Explorations in the Remaking of Work, Oxford University Press, Oxford, pp. 257‐79.
Peterson, R.A. and White, H.G. (1979), “The simplex located in art worlds”, Urban Life, Vol. 7 No. 4, pp. 411‐39.
Porter, L. (1999), John Coltrane: His Life and Music, The University of Michigan Press, Ann Arbor, MI.
Priestley, B. (1983), Mingus: A Critical Biography, Da Capo, New York, NY.
Szwed, J.F. (2000), Jazz 101: A Complete Guide to Learning and Loving Jazz, Hyperion, New York, NY.
Szwed, J. (2002), So What: The Life of Miles Davis, Simon & Schuster, New York, NY.
White, H.C. (1993), Careers and Creativity: Social Forces in the Arts, Westview Press, Boulder, CO.
Williams, M. (1983), The Jazz Tradition, Oxford University Press, Oxford.
Wilson, P.N. (1999), Ornette Coleman: His Life and Music, Berkeley Hills Books, Berkeley, CA.
Wright, P.M., Smart, D.L. and McMahan, G.C. (1995), “Matches between human resources and strategy among NCAA basketball teams”, Academy of Management Journal, Vol. 38 No. 4, pp. 1052‐74.