Affective and evaluative responses to pop music
Tóm tắt
Từ khóa
Tài liệu tham khảo
Edwards, A. L. (1960). Experimental Design in Psychological Research. New York: Holt, Rinehart and Winston.
Farnsworth, P.R. (1969). The Social Psychology of Music (2nd edition). Ames: Iowa State University Press.
Hargreaves, D. J. (1988). Verbal and behavioral responses to familiar and unfamiliar music. Current Psychological Research and Reviews, 6, 323–330.
Hargreaves DJ., Messerschmidt, P., and Rubert, C. (1980). Musical preference and evaluation. Psychology of Music, 8, 13–18.
Konecni, V. J. (1984). Elusive effects of artists' hidden “messages.” In Crozier, W. R. and Chapman, A. J. (Eds.), Cognitive Processes in the Perception of Art. North-Holland: Elsevier Science Publishers B.V.
Melody Maker, 23 April 1994.
Melody Maker, 14 May 1994.
Rosenberg, M. J. and Abelson, R. P. (1960). An analysis of cognitive balancing. In Rosenberg, M. J., Hovland, C. I., McGuire, W. J., Abelson, R. P., and Brehm, J. W. (Eds.), Attitude Organisation and Change: An Analysis of Consistency among Attitude Components. Yale University Press: New Haven.
Vulliamy, G. (1977). Music and the mass culture debate. In J. Shepherd, P., Virden, G. Vulliamy, and T. Wishart (Eds.), Whose Music? A Sociology of Musical Languages. London: Latimer.