Andrejevic, M. (2004) Reality TV: The Work of Being Watched. Lanham: Rowman & Littlefield.
Andrejevic, M. (2007) iSpy: Surveillence and Power in the Interactive Era. Lawrence: University Press of Kansas.
Barthes, R. (1993) Camera lucida. Translated by R. Howard. London: Vintage.
Baudrillard, J. (1983) Simulations. New York: Semiotext[e].
Copjec, J. (1994) Read My Desire: Lacan Against the Historicists. Cambridge: MIT Press.
Curnutt, H. (2011) Durable participants: A generational approach to reality TV’s “ordinary” labor pool. Media, Culture & Society 33 (7): 1061–1076.
Chappelle, D. and Brennan, N. (2003) Episode six [Television series episode]. In: D. Chappelle, N. Brennan and M. Armour (Executive producers) Chappelle Show. New York: Comedy Central.
Ellis, J. (2000) Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris.
Escoffery, D. S. (ed.) (2006) How Real is Reality TV: Essays on Representation and Truth. Jefferson, North Carolina: McFarland & Company.
Friedman, J. (2002) Introduction. In: J. Friedman (ed.) Reality Squared: Televisual Discourses on the Real. New Brunswick: Rutgers University Press, pp. 1–22.
Harvey, D. (1990) The Condition of Postmodernity. Malden: Blackwell Publishers.
Hill, A. (2006) Reality TV: Audiences and Popular Factual Television. New York: Routledge.
Horkheimer, M. and Adorno, T. (1994, 2001) Dialectic of Enlightenment. Translated by J. Cumming. New York: Continuum.
Jameson, F. (1991) Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press.
Kilborn, R. (1994) How real can you get: Recent development in reality TV. European Journal of Communication 9 (4): 421–439.
Kilborn, R. (1998) Shaping the real: Democratization and commodifaction in UK-factual broadcasting. European Journal of Communication 13 (2): 201–218.
Kilborn, R. (2003) Shaping the real: Factual Television in the Age of Big Brother. Manchester: Manchester University Press.
Krips, H. (1999) Fetish: An Erotics of Culture. Ithaca: Cornell University Press.
Lacan, J. (1987) Television. October 40: 7–50.
Lacan, J. (1998) The Seminar of Jacques Lacan Book XI. Translated by A. Sheridan. New York: W.W. Norton.
Lotz, A. (2007) The Television Will Be Revolutionized. New York: NYU Press.
Lury, K. (1996) Television performance: Being, acting and ‘corpsing’. New Formations 27: 114–27.
Lury, K. (2001) British Youth Television: Cynicism and Enchantment. Oxford: Oxford University Press.
Magder, T. (2009) Television 2.0: The business of American television in transition. In: L. Ouellette and S. Murray (eds.) Reality TV: Remaking Television Culture. New York: NYU Press, pp. 137–156.
Mandel, E. (1998) Late Capitalism. London: Verso.
McCarthy, A. (2009) Stanley Milgram, Allen Funt and me: Postwar social science and the ‘first wave’ of reality TV. In: L. Ouellette and S. Murray (eds.) Reality TV: Remaking Television Culture. New York: NYU Press, pp. 19–39.
Mittell, J. (2004) Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge.
Ouellette, L. and Hay, J. (2008) Better Living through Reality TV: Television and Post-Welfare Citizenship. Malden: Blackwell Publishing.
Roscoe, J. (2001) Big Brother Australia: Performing the ‘real’ twenty-four-seven. International Cultural Studies 4 (1): 473–488.
Roscoe, J. and Hight, C. (2001) Faking it: Mock-Documentary and the Subversion of Factuality. Manchester: Manchester University Press.
Simmel, G. (1971) The metropolis and mental life. In: D. Levine (ed.) On Individuality and Social Form. Chicago: University of Chicago Press.
Tincknell, E. and Raghuram, P. (2005) Reconfiguring the “active” audience of cultural studies? In: S. Holmes and D. Jermyn (eds.) Understanding Reality TV. New York: Routledge, pp. 252–269.
Turner, G. (2010) Ordinary People and the Media: The Demotic Turn. London: Sage.
Williams, R. (1974) Television: Technology and Cultural Form. Hanover: Wesleyan University Press.
Zuiker, A.E. (Creator) (2005) You can’t handle my truth [Television series episode]. In B. Spears, K. Federline, S. Zirinsky and R. Klug (Executive producers), Britney & Kevin: Chaotic. New York: UPN.
Žižek, S. (1989) The Sublime Object of Ideology. London: Verso.
Žižek, S. (1990) How the non-duped err. Qui Parle: Literature, Philosophy, Visual Arts, History 4 (1): 1–20.
Žižek, S. (1997) The Plague of Fantasies. London: Verso.
Žižek, S. (2001) The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory. London: British Film Institute.