The Critical Foundations of Visual Criminology: The State, Crisis, and the Sensory

Ackroyd, P. (2012). London under. London: Vintage.

Adey, P., Whitehead, M., & Williams, A. J. (2011). Introduction: Air-target: Distance, reach and the politics of verticality. Theory, Culture & Society, 28(7–8), 173–187.

Appadurai, A. (1996). Modernity at large: Cultural dimensions of globalization. Minneapolis, MN: University of Minnesota Press.

Atkinson, R. (2007). Ecology of sound: The sonic order of urban space. Urban Studies, 44(10), 1905–1917.

Back, L. (2012). Live sociology: Social research and its futures. The Sociological Review, 60(S1), 18–39.

Back, L., & Puwar, N. (2012). A manifesto for live methods: Provocations and capacities. The Sociological Review, 60(S1), 6–17.

Bal, M. (2003). Visual essentialism and the object of visual culture. Journal of Visual Culture, 2(1), 5–32.

Becker, H. (2007). Telling about society. Chicago, IL: University of Chicago Press.

Biber, K. (2007). Captive images: Race, crime, photography. London: Routledge.

Biber, K. (2018). In crime’s archive: The cultural afterlife of evidence. London: Routledge.

Bishop, R. (2011). Project “transparent earth” and the autoscopy of aerial targeting: The visual geopolitics of the underground. Theory, Culture & Society, 28(7–8), 270–286.

Brayne, S. (2017). Big data surveillance: The case of policing. American Sociological Review, 82(5), 977–1008.

Brisman, A. (2018). Representing the “invisible crime” of climate change in an age of post-truth. Theoretical Criminology, 22(3), 468–491.

Brown, M., & Carrabine, E. (2015). Editorial. Crime Media Culture, 11(1), 3–4.

Brown, M., & Carrabine, E. (Eds.). (2017). Introducing visual criminology. In Routledge international handbook of visual criminology (pp. 23–32). Abingdon, Oxon: Routledge.

Browne, S. (2015). Dark matters: On the surveillance of blackness. Durham, NC: Duke University Press.

Carrabine, E. (2012). Just images: Aesthetics, ethics and visual criminology. The British Journal of Criminology, 52(3), 463–489.

Carrabine, E. (2018a). Historical representations of crime and the criminal. In N. Rafter & M. Brown (Eds.), The Oxford research encyclopedia of crime, media, and popular culture (pp. 275–297). New York: Oxford University Press.

Carrabine, E. (2018b). Traces of violence: Representing the atrocities of war. Criminology and Criminal Justice. https://doi.org/10.1177/1748895818789448 .

Carrabine, E. (2018c). Geographies of landscape: Representation, power and meaning. Theoretical Criminology, 22(3), 445–467.

Carrington, K., & Hogg, R. (Eds.). (2002). Critical criminology: Issues, debates, challenges. Cullompton, Devon: Willan.

Chan, J. (2018). Big data and visuality. In N. Rafter & M. Brown (Eds.), The Oxford research encyclopedia of crime, media, and popular culture (pp. 49–61). New York: Oxford University Press.

Chan, J., & Bennett Moses, L. (2016). Is big data challenging criminology? Theoretical Criminology, 20(1), 21–39.

Chan, J., & Bennett Moses, L. (2017). Making sense of big data for security. The British Journal of Criminology, 57(2), 299–319.

Chesney-Lind, M., & Morash, M. (2013). Transformative feminist criminology: A critical re-thinking of a discipline. Critical Criminology: An International Journal, 21(3), 287–304.

Chow, R. (2006). The age of the world target: Self-referentiality in war, theory, and comparative work. Durham, NC: Duke University Press.

Cohen, S. (2002). Folk devils and moral panics: The creation of the mods and rockers. New York: Routledge.

Cosgrove, D. (2001). Apollo’s eye: A cartographic genealogy of the earth in the western imagination. Baltimore, MD: John Hopkins University Press.

Cresswell, T. (1996). In place/out of place: Geography, ideology and transgression. Minneapolis, MN: University of Minnesota Press.

Cunneen, C. (2017). Visual power and sovereignty: Indigenous art and colonialism. In M. Brown & E. Carrabine (Eds.), Routledge international handbook of visual criminology (pp. 376–388). Abingdon, Oxon: Routledge.

DeKeseredy, W. S., & Dragiewicz, M. (Eds.). (2012). Routledge handbook of critical criminology. Abingdon, Oxon: Routledge.

Dodge, A. (2016). Digitizing rape culture: Online sexual violence and the power of the digital photograph. Crime Media Culture, 12(1), 65–82.

Ferrell, J., Hayward K., & Brown, M. (2018). Cultural criminology. In N. Rafter & M. Brown (Eds.), The Oxford research encyclopedia of crime, media, and popular culture (pp. 411–427). New York: Oxford University Press.

Finn, J. (2009). Capturing the criminal image: From mug shot to surveillance society. Minneapolis, MN: University of Minnesota Press.

García Ruiz, A., & South, N. (2018). Surrounded by sound: Noise, rights and environments. Crime Media Culture. https://doi.org/10.1177/1741659017751223 .

Graham, S. (2004). Vertical geopolitics: Baghdad and after. Antipode, 36(1), 12–23.

Graham, S. (2010). Cities under siege: The new military urbanism. London: Verso.

Graham, S. (2018). Vertical: The city from satellites to bunkers. London: Verso.

Gregory, D. (2011). From a view to a kill: Drones and late modern war. Theory, Culture & Society, 28(7–8), 188–215.

Gregory, D. (2013). American military imaginaries and Iraqi cities. In N. Mirzoeff (Ed.), The visual culture reader (pp. 181–195). London: Routledge.

Hall, S., Critcher, C., Jefferson, T., & Roberts, B. (1978). Policing the crisis: Mugging, the state, and law and order. London: Macmillan.

Hayward, K. J. (2012). Five spaces of cultural criminology. The British Journal of Criminology, 52(3), 441–462.

Heller, C., L. Pezzani, & SITU Research. (2014) Case: “Left-to-die boat”. In Forensic Architecture. (Eds.), Forensis: The architecture of public truth (pp. 637–656). Berlin: Sternberg Press.

Hemsworth, K. (2015). Carceral acoustemologies: Historical geographies of sound in a Canadian prison. In K. Morin & D. Moran (Eds.), Historical geographies of prisons (pp. 31–47). London: Routledge.

Henne, K., & Shah, R. (2018). Feminist criminology and the visual. In N. Rafter & M. Brown (Eds.), The Oxford research encyclopedia of crime, media, and popular culture (pp. 23–40). New York: Oxford University Press.

Human Rights Watch. (2018). Israel and Palestine. https://www.hrw.org/world-report/2018/country-chapters/israel/palestine . Accessed 3 Aug 2018.

Hunt, A. (2018). Politics of vision in the carceral state: Legibility and looking in hostile territory. In M. Brown & E. Carrabine (Eds.), The Oxford research encyclopedia of crime, media, and popular culture (pp. 36–66). New York: Oxford University Press.

Kanngieser, A. (2011). A sonic geography of voice: Towards an affective politics. Progress in Human Geography, 36(3), 336–353.

Kaplan, C. (2006). Precision targets: GPs and the militarization of US consumer identity. American Quarterly, 58(3), 693–713.

Koskela, H. (2006). The other side of surveillance: Webcams, power and agency. In D. Lyon (Ed.), Theorizing surveillance: The panopticon and beyond (pp. 163–181). Cullompton, Devon: Willan.

Lorimer, H. (2005). Cultural geography: The busyness of being “more than Representational”. Progress in Human Geography, 29(1), 83–94.

Lupton, D. (2015). Digital sociology. London: Routledge.

Lyon, D. (2007). Surveillance studies: An overview. Cambridge: Polity Press.

Lyon, D., Ball, K., & Haggerty, K. D. (Eds.). (2012). Routledge handbook of surveillance studies. Abingdon, Oxon: Routledge.

Magnet, S. (2011). When biometrics fail: Gender, race, and the technology of identity. Durham, NC: Duke University Press.

Michel, A. H. (2017). Biplanes, satellites, and drones: A high resolution history of eyes in the sky. In M. Brown & E. Carrabine (Eds.), The Oxford research encyclopedia of crime, media, and popular culture (pp. 61–86). New York: Oxford University Press.

Neocleous, M. (2016). The smell of power: A contribution to the critique of the sniffer dog. In A. Cameron, J. Dickinson, & N. Smith (Eds.), Body/state (pp. 199–208). London: Routledge.

Nixon, R. (2011). Slow violence and the environmentalism of the poor. Cambridge, MA: Harvard University Press.

Paglen, T. (2006). Recording carceral landscapes. Leonardo Music Journal, 16(December), 56–57.

Parks, L. (2013). Zeroing in: Overhead imagery, infrastructure ruins, and datalands in Afghasnistan and Iraq. In N. Mirzoeff (Ed.), The visual culture reader (pp. 196–206). London: Routledge.

Parks, L. (2016). Drones, vertical mediation, and the targeted class. Feminist Studies, 42(1), 227–235.

Potter, H. (2013). Intersectional criminology: Interrogating identity and power in criminological research and theory. Critical Criminology: An International Journal, 21(3), 305–318.

Powell, A. (2015). Seeking rape justice: Formal and informal responses to sexual violence through technosocial counter-publics. Theoretical Criminology, 19(4), 571–588.

Powell, A., Stratton, G., & Cameron, R. (2018). Digital criminology: Crime and justice in a digital society. London: Routledge.

Rafter, N., & Brown, M. (Eds.). (2018). The Oxford research encyclopedia of crime, media, and popular culture. London: Oxford University Press.

Russell, E. K., & Carlton, B. (2018). Counter-carceral acoustemologies: Sound, permeability and feminist protest at the prison boundary. Theoretical Criminology. https://doi.org/10.1177/1362480618769862 .

Saleh-Hanna, V. (2017). Reversing criminology’s white gaze: As Lombroso’s disembodied head peers through a glass jar in a museum foreshadowed by Sara Baartman’s ghost. In J. Z. Wilson, S. Hodgkinson, J. Piche, & K. Walby (Eds.), The Palgrave handbook of prison tourism (pp. 689–711). London: Palgrave Macmillan.

Schept, J. (2014). (Un) seeing like a prison: Counter-visual ethnography of the carceral state. Theoretical Criminology, 18(2), 198–223.

Schuppli, S. (2016). Dirty pictures. In H. Methi (Ed.), Living earth: Field notes from the dark ecology project, 2014–2016 (pp. 189–210). London: Sonic Acts.

Shalhoub-Kevorkan, N. (2017). The occupation of the senses: The prosthetic and aesthetic of state terror. The British Journal of Criminology, 57, 1279–1300.

Smith, M. M. (2008). How race is made: Slavery, segregation, and the senses. Chapel Hill, NC: University of North Carolina Press.

Story, B., Brown, M., & Carrabine, E. (2017). The prison in twelve landscapes: An interview with film producer and director Brett Story. Crime Media Culture, 13(1), 107–113.

Thrift, N. (2006). Re-inventing Invention: New tendencies in capitalist commodification. Economy & Society, 35(2), 279–306.

Thrift, N. (2008). Non-representational theory: Space, politics, affect. London: Routledge.

Virilio, P. (1986). Speed and politics. New York: Semiotext(e).

Wall, T., & Linnemann, T. (2014). Staring down the state: Police power, visual economies, and the “war on cameras”. Crime Media Culture, 10(2), 133–149.

Wall, T., & Monahan, T. (2011). Surveillance and violence from afar: The politics of drones and liminal security-scapes. Theoretical Criminology, 15(3), 239–254.

Walters, Reece. (2003). Deviant knowledge: Criminology, politics and policy. Cullompton, Devon: Willan.

Weizman, E. (2002). The politics of verticality. https://www.opendemocracy.net/ecology-politicsverticality/article_801.jsp . Accessed 3 Aug 2018.

Weizman, E. (2007). Hollow land: Israel’s architecture of occupation. London: Verso.

Weizman, E. (2014). Introduction: Forensis. In Forensic Architecture. (Eds.), Forensis: The architecture of public truth (pp. 9–34). Berlin: Sternberg Press.

Weizman, E. (2015). The Gaza book of destruction. In D. Dufour (Ed.), Images of conviction: The construction of visual evidence. Paris: Le Bal.

Weizman, E. (2017). Forensic architecture: Violence at the threshold of detectability. New York: Zone Books.

Wood, M. A. (2017). Antisocial media: Crime-watching in the internet age. London: Springer.

Young, A. (2010). The scene of violence: Cinema, crime, affect. London: Routledge.