Spectroscopic and chromatographic studies of sculptural polychromy in the Zhongshan Grottoes (R.P.C.)

He Ling, 2010, Consolidation studies on sandstone in the Zhongshan Grotto, 370 He Ling, 2008, Preparation and feasibility analysis of fluoropolymer to the sandstone protection, Pro. Org. Coat., 62, 206, 10.1016/j.porgcoat.2007.11.002 Bersani, 2008, Pigments and binders in “Madonna col Bambino e S Giovannino” by Botticelli investigated by micro-Raman and GC/MS, J. Cult. Herit., 9, 97, 10.1016/j.culher.2007.05.005 Castro, 2005, On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database), Anal. Bioanal. Chem., 382, 248, 10.1007/s00216-005-3072-0 Jorge Villar, 2006, Raman spectroscopy analysis of mediaeval wall paintings in the Valencia region, Spain. J. Raman. Spectrosc., 37, 1078, 10.1002/jrs.1608 Perardi, 2000, Micro-Raman spectroscopy for standard and in situ characterisation of painting materials, J. Cult. Herit., 1, 633, 10.1016/S1296-2074(00)00176-X Lyman, 1990 Fabbri, 2000, Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide, J. Anal. Appl. Pyrol., 56, 167, 10.1016/S0165-2370(00)00092-9 Chiavari, 2003, Analytical pyrolysis as diagnostic tool in the investigation of works of art, Chromatographia, 58, 543, 10.1365/s10337-003-0094-7 He Ling, 2007, Analytical characterization of binding medium used in ancient Chinese artworks by pyrolysis–gas chromatography/mass spectrometry, Microchem. J., 85, 347, 10.1016/j.microc.2006.08.003 Chiavari, 2002, Py-GC/MS of synthetic polymers used in past restorations in Giotto's mural painting at the Scrovegni Chapel (Padova), Chromatographia, 56, 763, 10.1007/BF02492481 C. Blaensdorf, E. Emmerling, M. Petzet, Qin Shihuang The terracotta Army of the First Chinese Emperor, Arbeitshefte des Bayerishen Landesamtes fur Denkmalpflege, Munchen, 2001. Chiavari, 1999, Characterisation of paint layers in Chinese archaeological relics by Pyrolysis-GC-MS, Chromatographia, 49, 268, 10.1007/BF02467555 Fuan, 2004, Micro diffraction analysis of the rare green pigment botallackite in ancient wall paintings, J. Lanzhou Univ. Nat. Sci., 40, 52 Scott, 2000, A review of copper chlorides and related salts in bronze corrosion and as painting pigments, Stud. Conserv., 45, 39, 10.2307/1506682 Piquè, 1997, Scientific examination of the sculptural polychromy of cave 6 at Yungang, 348 Blaszò, 1997, Formation of chlorinated phenols under pyrolysis from a phenolic antioxidant used as plastics additive, J. Anal. Appl. Pyrol., 40–41, 69 Zuixiong, 2010, Deterioration and Treatment of Wall Paintings, 46 Derrick, 1999 Miliani, 2008, CO2 entrapment in natural ultramarine blue, Chem. Phys. Lett., 466, 148, 10.1016/j.cplett.2008.10.038 Bacci, 2009, An integrated spectroscopic approach for the identification of what distinguishes Afghan lapis lazuli from others, Vib. Spectrosc., 49, 80, 10.1016/j.vibspec.2008.05.002 Smith, 2009, The presence of trapped carbon dioxide in lapi lazuli and its potential use in geo-sourcing natural ultramarine pigment, J. Cult. Herit., 10, 415, 10.1016/j.culher.2008.12.001 Y. Taniguchi, O. Hidemi, M. Cotte, E. Checroun, in: J. Bridgland (Ed.), The painting techniques, materials and conservation of Bamiyan Buddhist mural paintings in Afghanistan, 15th triennial conference, New Delhi, 22–26 September 2008: preprints/ICOM Committee for Conservation. Bridgland, ICOM Committee for Conservation (2008), pp. 553–562.