Nội dung được dịch bởi AI, chỉ mang tính chất tham khảo
Bảo tồn Nghệ Thuật Đá và Du Lịch
Tóm tắt
Bảo tồn nghệ thuật đá đã phát triển song hành với nhịp độ tăng tốc của du lịch, tuy nhiên hai hoạt động này thường nằm ở những thái cực đối lập. Các chính sách và hướng dẫn đã được xây dựng cho di sản văn hóa và du lịch văn hóa, và có một loạt các nguyên tắc được chấp nhận rộng rãi. Tuy nhiên, lý thuyết về du lịch nghệ thuật đá bền vững chỉ mới đang ở giai đoạn đầu. Để phát triển, lĩnh vực này cần nghiên cứu về tương tác của các yếu tố chính ảnh hưởng đến việc bảo tồn lâu dài các bức tranh và chạm khắc đá thường xuyên được tham quan, cũng như xem xét các yếu tố xã hội và kinh tế thúc đẩy du lịch và sự quan tâm của công chúng đối với nghệ thuật đá.
Từ khóa
#bảo tồn nghệ thuật đá #du lịch bền vững #di sản văn hóa #chạm khắc đá #tranh đáTài liệu tham khảo
Bednarik, R. (2004). Millennium: The state of Australian rock art research. In Bertilsson, U. and McDermott, L. (eds.), The Future of Rock Art – a World Review, National Heritage Board of Sweden, Stockholm, pp. 50–59.
Clottes, J. (ed.) (2001). La Grotte Chauvet: L’art des origins, Seuil, Paris.
Clottes, J. (2002). World Rock Art, Getty Conservation Institute, Los Angeles.
Colley, S. (2002). Uncovering Australia: Archaeology, Indigenous People and the Public, Allen and Unwin, Crows Nest, New South Wales.
Deacon, J. (1994). Management guidelines for rock art sites in two Wilderness Areas in the Western Cape, Department of Environmental Affairs and Tourism, Pretoria.
Deacon, J. (1995). Promotion of a neglected heritage at Stone Age sites in the Western Cape, South Africa. Conservation and Management of Archaeological Sites 1: 75–86.
Deacon, J. (1997). A regional management strategy for rock art in Southern Africa. Conservation and Management of Archaeological Sites 2: 29–32.
Deacon, J. (1998). Some views on rock paintings in the Cederberg, National Monuments Council, Cape Town.
Deacon, J. (2004). Southern African rock art in the new millennium. In Bertilsson, U. and McDermott, L. (eds), The Future of Rock Art – a World Review, National Heritage Board of Sweden, Stockholm, pp. 120–131.
Delluc, B., and Delluc, G. (1984). Lascaux: Art et Archéologie, Emmanuel Leymarie, Périgueuex.
Department of Environment Affairs and Tourism (2004). Integrated Management Plan for the Mapungubwe Cultural Landscape, Pretoria.
Dowson, T. A., and Lewis-Williams, J. D. (1993). Myths, Museums and Southern African Rock Art. South African Historical Journal 29: 44–60.
Gale, F., and Jacobs, J. (1986). Identifying high-risk visitors at Aboriginal art sites in Australia. Rock Art Research 3(1): 3–19.
Gale, F., and Jacobs, J. (1987). Aboriginal art – Australia’s neglected inheritance. World Archaeology 19: 226–235.
George, R. (2005). Marketing South African Tourism. 2nd Edition, Second Impression, Oxford University Press, Cape Town.
Graff, J. (2006). Saving beauty: Mold and bureaucracy threaten France’s Lascaux Cave. Time, May 15: 36–42.
ICOMOS (2002). International Cultural Tourism Charter – Managing tourism at places of heritage significance. http://www.icomos.org/tourism/charter.html.
Kallhovd, K., and Magnusson, J. (eds) (2000). Rock Carvings in the Borderlands, National Heritage Board and Directorate for Cultural Heritage, Göteborg and Oslo.
Kleinitz, C. (2006). Tracing the use of the past in the past. Paper presented at the South African Conference on Rock Art, Kimberley, 12-17 February 2006.
Loubser, J. (2001). Management planning for conservation. In Whitley, D. (ed.), Handbook of Rock Art Research, Altamira, Walnut Creek, pp. 80–115.
Loubser, P. J., and Van Aardt, J. P. H. (1979). Preservation of rock art: Installation of a drip system at the Beersheba Shelter, Griqualand East District. South African Archaeological Bulletin 34: 54–56.
Mazel, A. D. (1982). Principles for conserving the archaeological resources of the Natal Drakensberg. South African Archaeological Bulletin 37: 7–15.
McKercher, B., and Du Cros, H. (2002). Cultural tourism: The partnership between Tourism and Cultural Heritage Management, Haworth Hospitality Press, New York.
Meiklejohn, K. I. (1994). Aspects of the weathering of the Clarens Formation in the KwaZulu Natal Drakensberg: implications for the preservation of indigenous rock art. Unpublished PhD thesis, University of Natal, Pietermaritzburg.
Norsted, T. (2006). Aspects of documentation for rock art conservation purposes. Paper presented at the South African Conference on Rock Art, Kimberley 12–17 February 2006.
Ouzman, S. (2000). Towards a mindscape of landscape: Rock-art as expression of world-understanding. In Chippindale, C. and Taçon, P.S.C. (eds), The Archaeology of Rock-Art, Reprint edition, Cambridge University Press, Cambridge, pp. 30–41.
Pearson, M., and Sullivan, S. (1995). Looking after heritage places: The basics of heritage planning for managers, landowners and administrators, Melbourne University Press, Melbourne.
Pinter, T. L. (2005). Heritage tourism and archaeology: Critical issues. The SAA Archaeological Record, May 2005: 9–11.
Pwiti, G., and Mvenge, G. (1996). Archaeologists, tourists and rainmakers: Problems in the management of rock art sites in Zimbabwe, a case study of the Dombashava national monument. In Pwiti, G. and Soper, R. (eds.), Aspects of African Archaeology: papers from the 10th Congress of the PanAfrican Association for Prehistory and Related Studies, University of Zimbabwe Publications, Harare, pp. 817–823.
Rudner, I. (1989). The Conservation of Rock Art in South Africa, National Monuments Council, Cape Town.
Saetersdal, T. (2004). People, Places and Ancestors: Archaeology and Society in Manica, Mozambique. Dr of Arts thesis, University of Bergen, Bergen.
Shackel, P. A. (2005). Local identity, national memory, and heritage tourism: Creating a sense of place with archaeology. SAA Archaeological Record, May 2005: 35.
Steenkamp, A. (2006). The rock art debate among the San of Southern Africa. Statement presented at the South African Conference on Rock Art, Kimberley, on behalf of the South African San Council and the Working Group of Indigenous Minorities in Southern Africa.
Swantesson, J. O. H. (2005). Weathering and Erosion of Rock Carvings in Sweden during the period 1994–2003 – micro mapping with laser scanner for assessment of breakdown rates, Karlstad University Studies, Karlstad.
Taçon, P. (2001). Australia. In Whitley, D. (ed.), Handbook of Rock Art Research, Altamira, Walnut Creek, pp. 530–575.
Thorn, A., and Brunet, J. (1996). Preservation of rock art, Occasional AURA Publication 9, Melbourne.
UNESCO (2001). Operational Guidelines for the Implementation of the World Heritage Convention. Web site www.unesco.org/whc.
Walker, M., and Marquis-Kyle, P. (2004). The illustrated Burra Charter: Good practice for heritage places. ICOMOS Inc, Burwood, Australia.
Walker, N. (1996). The painted hills: Rock art of the Matopos, Zimbabwe – a guidebook, Mambo Press, Gweru, Zimbabwe.
Ward, G. K., and Ward, L. A. (eds) (1995). Management of Rock Art Imagery, Occasional AURA Publication 9, Melbourne.
Watchman, A., Sale, K., and Hogue, K. (1995). Conservation of the Rendezvous Creek and Nursery Swamp 2 Aboriginal painting sites, Namadgi National Park, ACT. Conservation and Management of Archaeological Sites 1: 25–34.
Whitley, D. (2001). Rock art and rock art research in a worldwide perspective: An introduction. In Whitley, D. (ed.), Handbook of Rock Art Research, Altamira, Walnut Creek, pp. 7–51.
Whitley, D. (2004). Rock art research and management in the USA. In Bertilsson, U. and McDermott, L. (eds), The Future of Rock Art – a World Review, National Heritage Board of Sweden, Stockholm, pp. 188–197.
Wurz, S., and Van Der Merwe, J. H. (2005). Gauging site sensitivity for sustainable archaeotourism in the Western Cape Province of South Africa. South African Archaeological Bulletin 60: 10–19.