Identification of green pigments and binders in late medieval painted wings from Norwegian churches
Tài liệu tham khảo
2004
Coccato, 2017, On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments, Herit. Sci., 5, 10.1186/s40494-017-0125-6
de la Roja, 2007, Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises, Spectrochim. Acta A Mol. Biomol. Spectrosc., 68, 1120, 10.1016/j.saa.2007.06.053
Chaplin, 2006, Study by Raman microscopy of nine variants of the green-blue pigment verdigris, J. Raman Spectrosc., 37, 223, 10.1002/jrs.1469
San Andrés, 2010, Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy, J. Raman Spectrosc., 41, 1468, 10.1002/jrs.2786
Verdigris, 2012
Platania, 2018, Infrared, Raman and computational study of a crystalline mononuclear copper complex of relevance to the pigment Verdigris, Vib. Spectrosc., 97, 66, 10.1016/j.vibspec.2018.05.004
De la Roja, 2007, Variations in the colorimetric characteristics of verdigris pictorial films depending on the process used to produce the pigment and the type of binding agent used in applying it, Color Res. Appl., 32, 414, 10.1002/col.20311
Scott, 2001, The verisimilitude of verdigris: a review of the copper carboxylates, Stud. Conserv., 46, 73, 10.1179/sic.2001.46.Supplement-1.73
Otero, 2014, Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art, J. Raman Spectrosc., 45, 1197, 10.1002/jrs.4520
Buse, 2019, New insights into synthetic copper greens: the search for specific signatures by Raman and infrared spectroscopy for their characterization in medieval artworks, Heritage, 2, 1614, 10.3390/heritage2020099
Centeno, 2016, Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook: identification of artistic materials by Raman spectroscopy, J. Raman Spectrosc., 47, 9, 10.1002/jrs.4767
Prati, 2016, ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products, Appl. Phys. A, 122, 10.1007/s00339-015-9519-z
Salvadó, 2002, Identification of copper-based green pigments in Jaume Huguet's Gothic altarpieces by Fourier transform infrared microspectroscopy and synchrotron radiation X-ray diffraction, J. Synchrotron Radiat., 9, 215, 10.1107/S0909049502007859
Švarcová, 2014, Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques, Spectrochim. Acta A Mol. Biomol. Spectrosc., 132, 514, 10.1016/j.saa.2014.05.022
Caggiani, 2018, Raman microspectroscopy for cultural heritage studies, Phys. Sci. Rev., 3
Pozzi, 2016, Surface-enhanced Raman spectroscopy in art and archaeology: SERS in art and archaeology, J. Raman Spectrosc., 47, 67, 10.1002/jrs.4827
Casanova Municchia A., Micheli M., Ricci M.A., Toledo M., Bellatreccia F., Lo Mastro S., et al. Raman, SEM–EDS and XRPD investigations on pre-Columbian Central America “estucado” pottery. Spectrochim. Acta A Mol. Biomol. Spectrosc. 2016, 156:47–53.
Nevin, 2008, The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and gas chromatography-mass spectrometry, J. Cult. Herit., 9, 154, 10.1016/j.culher.2007.10.002
Caruso, 2014, Micro-analytical identification of the components of varnishes from South Italian historical musical instruments by PLM, ESEM–EDX, microFTIR, GC–MS, and PY–GC–MS, Microchem. J., 116, 31, 10.1016/j.microc.2014.04.002
Salvadó, 2011, SR-XRD and SR-FTIR study of the alteration of silver foils in medieval paintings, Anal. Bioanal. Chem., 399, 3041, 10.1007/s00216-010-4365-5
Streeton, 2016, Writing histories for late-medieval objects: the engagement of conservation with theoretical perspectives on material culture, Stud. Conserv., 1
Streeton N.L.W. Project description: after the Black Death: painting and polychrome sculpture in Norway, 1350‒1550, Oslo: Norwegian Research Council. [Internet]. University of Oslo; 2013. Available from: http://www.hf.uio.no/iakh/english/research/projects/medieval-painting/index.html.
Daly, 2018, Correction to: non-invasive dendrochronology of late-medieval objects in Oslo: refinement of a technique and discoveries, Appl. Phys. A, 124, 10.1007/s00339-018-1658-6
Streeton, 2018, Perspectives (old and new) on late-medieval church art in Norway: questioning the hegemony of Lübeck workshops, Scand. Stud., 90, 50, 10.5406/scanstud.90.1.0050
Santoro, 2014, New highlights on degradation process of verdigris from easel paintings, Appl. Phys., 114, 637, 10.1007/s00339-014-8253-2
Vermeulen, 2017, The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study, J. Anal. At. Spectrom., 32, 1331, 10.1039/C7JA00047B
Daly, 2018, Non-invasive dendrochronology of late-medieval objects in oslo: refinement of a technique and discoveries, Appl. Phys. A, 124, 246, 10.1007/s00339-018-1658-6
La Nasa, 2018, Development of a GC/MS method for the qualitative and quantitative analysis of mixtures of free fatty acids and metal soaps in paint samples, Anal. Chim. Acta, 1001, 51, 10.1016/j.aca.2017.11.017
La Nasa, 2018, Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples, Herit. Sci., 6, 57, 10.1186/s40494-018-0222-1
Andreotti, 2006, Combined GC/MS analytical procedure for the characterization of glycerolipid, waxy, resinous, and proteinaceous materials in a unique paint microsample, Anal. Chem., 78, 4490, 10.1021/ac0519615
Bonaduce, 2009, The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media, J. Chromatogr. A, 1216, 5931, 10.1016/j.chroma.2009.06.033
Lluveras, 2010, GC/MS analytical procedure for the characterization of glycerolipids, natural waxes, terpenoid resins, proteinaceous and polysaccharide materials in the same paint microsample avoiding interferences from inorganic media, Anal. Chem., 82, 376, 10.1021/ac902141m
Wold, 1987, Principal component analysis, Chemom. Intell. Lab. Syst., 2, 37, 10.1016/0169-7439(87)80084-9
Ringnér, 2008, What is principal component analysis?, Nat. Biotechnol., 26, 303, 10.1038/nbt0308-303
Miller, 2010
Jolliffe, 2011, Principal component analysis, 1094
Bro, 2014, Principal component analysis, Anal. Methods, 6, 2812, 10.1039/C3AY41907J
Brereton, 2003
Antunes, 2016, A multidisciplinary approach to the study of the brightening effects of white chalk ground layers in 15th and 16th century paintings, Anal. Methods, 8, 4785, 10.1039/C6AY00435K
Bell, 1997, Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD), Spectrochim. Acta A Mol. Biomol. Spectrosc., 53, 2159, 10.1016/S1386-1425(97)00140-6
Mazzeo, 2008, Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films, Anal. Bioanal. Chem., 392, 65, 10.1007/s00216-008-2126-5
Szkulmowska, 2008, Applicability of optical coherence tomography at 1.55μm to the examination of oil paintings, 487
Mills, 2012
Higgitt, 2003, Pigment-medium interactions in oil paint films containing red lead or lead-tin yellow, Natl. Gallery Tech. Bull., 24, 75
Platania, 2019, Investigation of mineralization products of lead soaps in a late medieval panel painting, Spectrochim. Acta A Mol. Biomol. Spectrosc.
Robinet, 2003, The characterization of metal soaps, Stud. Conserv., 48, 23, 10.1179/sic.2003.48.1.23
De la Roja, 2007, Variations in the colorimetric characteristics of verdigris pictorial films depending on the process used to produce the pigment and the type of binding agent used in applying it, Color Res. Appl., 32, 414, 10.1002/col.20311
Salvadó, 2013, Shades of green in 15th century paintings: combined microanalysis of the materials using synchrotron radiation XRD, FTIR and XRF, Appl. Phys. A, 111, 47, 10.1007/s00339-012-7483-4
Conti, 2014, The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy: detection of copper resinate pigment in works of art, J. Raman Spectrosc., 45, 1186, 10.1002/jrs.4455
Daher, 2010, A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes, J. Raman Spectrosc., 41, 1494, 10.1002/jrs.2693
Spring, 2017, New insights into the materials of fifteenth- and sixteenth-century Netherlandish paintings in the National Gallery, LOndon, Herit. Sci., 5, 10.1186/s40494-017-0152-3
Kühn, 1968, 4 Lead tin yellow, Stud. Conserv., 13, 7
Kühn, 1970, Verdigris and copper resinate, Stud. Conserv., 15, 12
Tumosa, 2005, The influence of lead ions on the drying of oils, Stud. Conserv., 50, 39, 10.1179/sic.2005.50.Supplement-1.39
Prati, 2010, New advances in the application of ftir microscopy and spectroscopy for the characterization of artistic materials, Acc. Chem. Res., 43, 792, 10.1021/ar900274f
Derrick, 1999
Prati, 2013, Development of innovative embedding procedures for the analyses of paint cross sections in ATR FITR microscopy, Anal. Bioanal. Chem., 405, 895, 10.1007/s00216-012-6435-3
Ramamurthy, 1970, Studies on metal hydroxy compounds. XII. Thermal analyses, decomposition kinetics, and infrared spectra of copper basic oxysalts, Can. J. Chem., 48, 3510, 10.1139/v70-587
Salvadó, 2009, Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR, Talanta, 79, 419, 10.1016/j.talanta.2009.04.005
de Viguerie, 2016, The drying of linseed oil investigated by Fourier transform infrared spectroscopy: historical recipes and influence of lead compounds, Prog. Org. Coat., 93, 46, 10.1016/j.porgcoat.2015.12.010
Favaro, 2005, La Medusa by Caravaggio: characterisation of the painting technique and evaluation of the state of conservation, J. Cult. Herit., 6, 295, 10.1016/j.culher.2005.04.003
Theophilus, 1961
Scott, 1990, Bronze disease: a review of some chemical problems and the role of relative humidity, J. Am. Inst. Conserv., 29, 193, 10.1179/019713690806046064
Keune, 2005
Hermans, 2014, The synthesis of new types of lead and zinc soaps: a source of information for the study of oil paint degradation, 8
Lenz, 2009, ZnO nanoparticles functionalized with organic acids: an experimental and quantum-chemical study, J. Phys. Chem. C, 113, 17332, 10.1021/jp905481v
Rodwell, 2015
Prockop, 2004, 482
Mills, 2006
2017
Orsini, 2017, Analytical pyrolysis of proteins in samples from artistic and archaeological objects, J. Anal. Appl. Pyrolysis, 124, 643, 10.1016/j.jaap.2016.12.017
Sotiropoulou, 2018, Advanced analytical investigation on degradation markers in wall paintings, Microchem. J., 139, 278, 10.1016/j.microc.2018.03.007
Bonaduce, 2003, Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy), Rapid Commun. Mass Spectrom., 17, 2523, 10.1002/rcm.1222
Casoli, 1996, Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings, J. Chromatogr. A, 731, 237, 10.1016/0021-9673(95)01194-3
Bonaduce, 2012, New insights into the ageing of linseed oil paint binder: a qualitative and quantitative analytical study, PLoS ONE, 7, e49333, 10.1371/journal.pone.0049333
Bonaduce, 2012, A multi-analytical approach to studying binding media in oil paintings: characterisation of differently pre-treated linseed oil by DE-MS, TG and GC/MS, J. Therm. Anal. Calorim., 107, 1055, 10.1007/s10973-011-1586-6