History, Roots and Future Horizons
Tóm tắt
Presented as a workshop at the 50th anniversary of the founding of the ADTA conference in San Diego, this article describes a workshop that was designed to help participants navigate through multiple identities in dance/movement therapy and psychotherapy. In the article and in the workshop, the authors share their professional journeys and then use movement to guide participants through theirs. Dance/movement therapy originated in the United States in the 1900s through private apprenticeship and master’s level trainings. As the work and training developed internationally, however, some dance/movement therapists began to seek advanced education for psychotherapy and doctoral research, use sophisticated technology, and practice in diverse settings. How will we integrate this new education and how does this shape our professional identities? In an era of changing healthcare reimbursements and new professional choices, it is time to again look at core values and identity of our practice, and help dance movement therapists create professional identities and choices.
Tài liệu tham khảo
Bella, K. A., & Serlin, I. A. (2013). Expressive and creative arts therapies. In Harris L. Friedman & Glenn Hartclius (Eds.), The wiley-blackwell handbook of transpersonal psychology. New Jersey: Wiley.
Berger, M. R., Serlin, I. A., & Siderits, M. A. (2007). Dancing women’s freedom: The story of Isadora Duncan. In E. Gavin, A. Clamar, & M. A. Siderits (Eds.), Women of vision: Their psychology, circumstances, and success (pp. 11–29). New York: Springer Publishing.
Criswell, E., & Serlin, I. (2015). Humanistic psychology, mind-body medicine and whole person health care. In K. Schneider, S. F. Pierson, & J. F. T. Bugental (Eds.), The handbook of humanistic theory, research and practice (pp. 653–666). Los Angeles, CA: Sage.
Hawkins, A. (1971). Dance therapy today—Points of view and ways of working (pp. 61–67). California: American Dance Therapy Association.
Hunt, V. (1995). Infinite mind: The science of human vibrations. Malibu, CA: Malibu Publishing Company.
Leventhal, M. (1979). Structure I dance therapy: A model for personality integration. Dance Research Collage: Dance Research Annual, 10, 173–182.
Leventhal, M. (1984). An interview with Alma Hawkins. American Journal of Dance Therapy, 7, 5–14.
Leventhal, M. (1999). An interview with valerie hunt. American Journal of Dance Therapy, 14, 5–17.
Leventhal, M. (2013a). Influences that have given shape and meaning to my life as a dance therapist clinician and educator. DTAA Journal, 11, 4–7.
Leventhal, M. (2013b). Transformation and healing through dance therapy: The challenge and imperative of holding the vision. DTAA Journal, 11(1 & 2), 43–60.
Refshauge, J. (2005). An interview: with Dr. Marcia B. Leventhal. DTAA Quarterly, 4(2), 2–15.
Resnick, S., Warmoth, A., & Serlin, I. A. (2001). The contributions of humanistic psychology to positive psychology. Journal of Humanistic Psychology., 41, 73–101.
Schneider, K., Galvin, J., & Serlin, I. (2009). Rollo May on existential psychotherapy. Journal of Humanistic Psychology, 49(4), 441–462.
Serlin, L. (1977). Winter/Spring). Portrait: of Karen. Journal of Contemporary Psychotherapy, 8, 145–152.
Serlin, I. A. (1986a). Toward an erotic spirituality. In M. Spiegelman (Ed.), A modern Jew in search of a soul (pp. 231–243). New York: Falcon Press.
Serlin, I. (1986b). Hannah and her three sisters (p. 25). Massachusetts: Boston Jewish Times.
Serlin, I. (1988). The last temptation of Christ. California: Library Journal of C.G. Jung Institute of San Francisco.
Serlin, I. (1989a). A psycho-spiritual body approach: To a residential treatment of Catholic religious. Journal of Transpersonal Psychology, 21(2), 177–191.
Serlin, I. (1989b). The lion’s roar. Palo Alto: The Association for Transpersonal Psychology Newsletter.
Serlin, I. (1990a). Ju-Bu. Buddhist Peace Fellowship Newsletter.
Serlin, I. (1990b). Therapy with a borderline nun. Psychotherapy: Theory, Research, Practice, 27, 91–94.
Serlin, I. (1991a). In memoriam of Laura Perls. The Humanistic Psychologist, 19(1), 105–113.
Serlin, I. (1991b). Review of J. Chodorow, Dance therapy and depth psychology. Association For Humanistic Psychology Perspective. 20.
Serlin, I. A. (1992a). Tribute to Laura Perls. Journal of Humanistic Psychology, 32, 57–66.
Serlin, I. (1992b). A peace-making film. San Francisco Psychological Association Newsletter, 32, 7–8.
Serlin, I. (1992c). The relevance of Bachelard’s dynamic imagination for movement art psychotherapy. Journal of the Arts in Psychotherapy, 19(3), 187–191.
Serlin, I. (1992d). A dance therapist travels in Russia. American Dance Therapy Journal, 14, 5–10.
Serlin, I. (1992d). On meeting a remarkable woman. Association for Transpersonal Psychology Newsletter.
Serlin, I. (1993a). Root images of healing in dance therapy. American Dance Therapy Journal, 15(2), 65–75.
Serlin, I. (1993b). Ju-Bu. Common Boundary, April.
Serlin, I. A. (1993c). Schneider, K. The Horror and the Holy. San Francisco Psychological Association Newsletter.
Serlin, I. A. (1994). Remembering Rollo May: An interview with Irvin Yalom. The Humanistic Psychologist, 22(3), 269–274.
Serlin, I. A. (1995). Deri. S. Symbolization & creativity. American Journal of Dance Therapy, 17(1), 63–64.
Serlin, I. A. (1996a). Body as text: A psychological and cultural reading. The Arts in Psychotherapy, special edition, 23(2), 141–148.
Serlin, I. A. (1996b). Interview with Anna Halprin. American Journal of Dance Therapy, 18(2), 115–123.
Serlin, I. A. (1999a). In fond remembrance of Ashley Montagu (p. 16). Feb/Mar: AHP Perspective.
Serlin, I. (1999b). An interview with Irv Yalom. Review of Existential Psychology and Psychiatry., XXIV, 3.
Serlin, I. A. (1999c). Imagery, movement and breast cancer. In C. Clark (Ed.), The encyclopedia of complementary health practices (pp. 408–410). New York, NY: Springer-Velag.
Serlin, I. A. (2000). Dance and Religion. In W. C. Roof (Ed.), Contemporary American religion. New York: Macmillan, Library Reference.
Serlin, I. A. (2001). Book review: Berman, Morris (2000). Wandering God: A study in nomadic spirituality. The Journal of Transpersonal Psychology., 33(1), 72–74.
Serlin, I. A. (2004). Spiritual diversity in clinical practice. In J. Chin (Ed.), The psychology of prejudice and discrimination. Westport, CT: Greenwood Publishing Group.
Serlin, I. (2005a). Energy psychology: An emerging form of integrative psychology (Review of the book/CD-ROM Energy psychology interactive). PsycCRITIQUES, Contemporary Psychology: APA Review of Books, 50(9), 12.
Serlin, I. A. (2005b). Dancing stories. In G. Yancy & S. Hadley (Eds.), Narrative identities (pp. 245–261). Philadelphia: Jessica Kingsley Publishers.
Serlin, I. A. (2007a). Whole person healthcare (Vol. 3). Westport, Conn: Praeger.
Serlin, I. (2007b). Expressive Therapies. In M. Micozzi (Ed.), Complementary and integrative medicine in cancer care and prevention: Foundations and evidence-based interventions. New York: Springer.
Serlin, I. A. (2007c). Dance and religion. In Encyclopedia of Religion. Farmington Hills, MI: Gale Publishing.
Serlin, I. A. (2007d). The embodied self: The new bridge between psychoanalysis and the moving body. (Review of the book The embodied self: Movement and psychoanalysis by Katya Bloom). PsycCritriques-Contemporary Psychology: APA Review of Books, 52, 33.
Serlin, I. A. (2007e). Action stories. In S. Krippner, M. Bova, & L. Gray (Eds.), Healing Stories: The use of narrative in counseling and psychotherapy (pp. 325–337). Havana: Puente Publications.
Serlin, I. (2008). Posttraumatic growth: Whole person approaches to working with trauma. The California Psychologist: Politics of Social Change, 42, 31.
Serlin, I. A. (2009). A tribute to Rollo May and the arts. Journal of Humanistic Psychology, 49(4), 486–490.
Serlin, I. A. (2010). Dance/movement therapy. In I. B. Weiner & W. E. Craighead (Eds.), Corsini encyclopedia of psychology (4th ed., pp. 459–460). Hoboken, NJ: Wiley.
Serlin, I. A. (2012a). The courage to move. In S. Schwartz, V. Marcow Speiser, P. Speiser, & M. Kossak (Eds.), Art and social change: The Lesley University experience in Israel (pp. 117–124). Netanya: The Arts Institute Project in Israel Press and the Academic College of Social Sciences and the Arts Press.
Serlin, I. A. (2012b). Literary expressions of trauma. In C. Figley (Ed.), Encyclopedia of trauma: An interdisciplinary guide (pp. 352–354). Thousand Oaks, CA: Sage Publications.
Serlin, I. (2013). Maxine Sheets-Johnstone: The primacy of movement—expanded second edition (advances in consciousness research). [Review of the book by Maxine Sheets-Johnstone, 2013]. American Journal of Dance Therapy, 10, 201–206.
Serlin, I. (2014). Kinesthetic imagining. In B. E. Thompson & R. A. Neimeyer (Eds.), Grief and the expressive arts: Practices for creating meaning. New York: Routledge.
Serlin, I. A., & Cannon, J. (2004). A humanistic approach to the psychology of trauma. In D. Knafo (Ed.), Living with terror, working with trauma a clinician’s handbook (pp. 313–331). Northvale, NJ: Jason Aronson.
Serlin, I. A., & Hansen, E. (2015). Stanley Krippner: Advocate for Healing Trauma. In Jeannine A. Davis & Daniel B. Pitchford (Eds.), Stanley Krippner: A life of dreams, myths, and visions. Colorado Springs, CO: University Professors Press.
Serlin, I. A., & Shane, P. (1999). Laura Perls and Gestalt therapy: Her life and values. In D. Moss (Ed.), The pursuit of human potential: A sourcebook of Humanistic and Transpersonal psychology (pp. 375–384). Westport, CT: Greenwood Press.
Serlin, I. A., & Speiser, V. (2007). Imagine: Expression in the service of humanity. Special edition of Journal of Humanistic Psychology, vol. 47, no. 3. Thousand Oaks: Sage Publications.
Wallock, S. (1981). Reflections on Mary Whitehouse. American Journal of Dance Therapy, 4(2), 45–56.