Futures of art in retrospect

T.W. Adorno, Aesthetic Theory, in: G. Adorno, R. Tiedemann (Eds.) (Robert Hullot-Kentor, Trans.), University of Minnesota Press, p. 1. J. Roberts, Collaboration as problem of art's cultural form, third text, in: J. Roberts, S. Wright (Eds.), Art and Collaboration, vol. 71, 2004, p. 557, (special issue). J. Roberts, Collaboration as problem of art's cultural form, third text, p. 564. Ulrich Obrist, 2006, Interview with Jia Zhang-ke, Fused Magazine, China Power Station Issue, October–November, 034 This is Henri Bergson's vitalist idea of time to which Duchamp reluctantly admitted some debit; but it profoundly influenced his brother, the cubist sculptor, Raymond Duchamp-Villon. G.W.F. Hegel, Aesthetics: Lectures on Fine Art, T.M. Knox (Trans.), vol. 1, Clarendon Press, Oxford, [1975], 1998 paperback edition, p. 11. G.W.F. Hegel, Aesthetics, quoted here in Martin Heidegger, The Origin of the Work of Art, in Poetry, Language, Thought (A. Hofstadter, Trans.), Harper Colophon Books, New York, 1971, p. 80. G.W.F. Hegel, in Martin Heidegger, p. 80. G.W.F. Hegel, Aesthetics (T.M. Knox, Trans.), p. 11. Marx, 1971 Marx, 1967