From Mulberry Street to Market Street: childness matters

Springer Science and Business Media LLC - Tập 46 - Trang 233-244 - 2023
Karen Coats1
1University of Cambridge, Cambridge, UK

Tóm tắt

In 2016, Last Stop on Market Street, an American picturebook by Matt de la Pena, won the Newberry Medal, a Caldecott Honor, and a Coretta Scott King illustrator honor. In March 2021, Dr Seuss Enterprises, after working “with a panel of experts, including educators,” decided to cease publishing And to Think I Saw in on Mulberry Street (1937) along with five other books that “portray people in ways that are hurtful and wrong.” Both decisions seem to have been motivated by a strong commitment to a contemporary critical multicultural perspective (Yenika-Agbaw, 2022). In this paper, I will explore another perspective through which we might assess the quality and potential impact these and other texts might have on child readers. Drawing on Peter Hollindale’s (1997) contention that a children’s book acts as the vehicle for a reading event during which readers form or reform their ideas of the social construction of childhood and their place within that construction, I will examine how these books portray “childness,” defined by Hollindale as both a distinguishing property of a text and what a reader brings to the reading. As these texts offer snapshots of what it means to be a child in two different times and contexts, I argue that the constructions of childhood in children’s books have changed significantly in the twenty-first century. I will use multimodal discourse analysis and critical content analysis to query the degree to which these texts are “childly” (a term of respect for Hollindale, as opposed to childish) by focusing on notions of the imagination, diverse representation, and adult/child relations.

Tài liệu tham khảo

Beauvais, C. (2019). Introduction. Children’s Literature in Education, 50, 1–7. De la Peña, M. (2015). Last stop on market street. Illustrated by Christian Robinson. Puffin. Enciso, P. (2016) [Review of the book Last stop on Market Street, by M. de la Peña]. De Colores: The Raza Experience In Children’s Books. https://decoloresreviews.blogspot.com/search?q=last+stop+on+market+street. Accessed 21 June 2023. Gerbner, G. (1972). Violence and television drama: trends and symbolic functions. In G. A. Comstock & E. Reubenstein (Eds.), Television and social behavior, Vol 1: Content and control (pp. 28–187). U.S. Government Printing Office. Hollindale, P. (1997). Signs of childness in children’s books. Thimble Press. Hollindale, Peter. (2011). The hidden teacher: ideology and children’s reading. Thimble Press. Larrick, N.(1965), The all-white world of children’s books. The Saturday Review, 63–65. Last Stop on Market Street. (October 21, 2014). Kirkus Reviews. https://www.kirkusreviews.com/book-reviews/matt-de-la-pena/last-stop-on-market-street/. Accessed 21 June 2023. McCloud, S. (1993). Understanding comics: the invisible art. Tundra. Nikolajeva, M. (2010). Power, voice and subjectivity in literature for young readers. Routledge. Nodelman, P. (2008). The hidden adult: Defining children’s literature. Johns Hopkins University Press. Parravano, M. V. (2015). Caldecott calling: Last stop on Market Street. https://www.hbook.com/story/last-stop-on-market-street. Accessed 21 June 2023. Seuss, G. T. (1937). And to think that I saw it on Mulberry Street. Random House. Yenika-Agbaw, V. (2022). Critical multiculturalism and children’s literature. In K. Coats, D. Stevenson, & V. Yenika-Agbaw (Eds.), A companion to children’s literature (pp. 271–286). Wiley-Blackwell.