Diving into colours: A multi-analytical approach to a 16th century drawing by Gherardo Cibo
Tài liệu tham khảo
Bolten, 1969, Severino da Cingoli, a bypath in the history of art, Master Draw, 7, 123
Dania, 1976, Severino da Cingoli: Addenda, Master Draw, 14, 43
G. Mangani, L. Tongiorgi Tomasi, Gherardo Cibo, dilettante di botanica e pittore di “paesi,” Il lavoro editoriale, Progetti Editoriali srl, Ancona, 2013.
Giannotti, 2016, e la “pittura di paesi” alla corte dei della Rovere nel Cinquecento, Accad. Raffaello 2016 1/2, Atti e Stud., 81
A. Nesselrath, Gherardo Cibo alias Ulisse Severino da Cingoli exh. cat. San Severino Marche, Palazzo di Città, Centro Studi Lorenzo e Jacopo Salimbeni per le Arti Figurative, (1989).
E. Hermens, A. Seventeenth-Century Italian Treatise on Miniature Painting and Its Author(s), in: E. Hermens, M. Peek (Eds.), Hist. Paint. Tech. Mater. Stud. Pract. Acts Symp. (University Leiden), 1995: pp. 48–57.
E. Hermens, Memories of Beautiful Colours. The Mariani treatise and the practice of miniature painting, landscape drawing and botanical illustration at the Pesaro court in early-seventeenth century Italy, Leiden, Leiden University, 2002.
Hermens, 2006, The Mariani-Cibo Treatise: contents and context, Stud. Conserv., 260, 10.1179/sic.2006.51.Supplement-2.260
Baroni, 2013, La trattatistica tecnica di Gherardo Cibo, 244
L. Baroni, The seduction of drawing, Cortona Fine art, Milan, 2021.
Salvadori, 2013, Colorire ad acquarella, 293
Mascherpa, 2013, Modo di colorire e far paesi, 264
J. Dik, Scientific analysis of historical paint and the implications for art history and art conservation: the case studies of naples yellow and discoloured smalt, Van ’t Hoff Institute for Molecular Sciences (HIMS), Amsterdam, 2003.
Sorrentino, 2015, Camelino: un colore nel Quattro-Cinquecento tra la pittura e la tovaglia (o viceversa?), Sci. Technol. Cult. Herit., 24, 61
Dik, 2005, Early production recipes for lead antimonate yellow in Italian art, Archaeometry, 47, 593, 10.1111/j.1475-4754.2005.00221.x
Manso, 2011, Investigation of the composition of historical and modern italian papers by energy dispersive X-ray fluorescence (EDXRF), X-ray diffraction (XRD), and scanning electron microscopy energy dispersive spectrometry (SEM-EDS, Appl. Spectrosc., 65, 52, 10.1366/10-06105
Dassanayake, 2021, Characterization of cellulose nanocrystals by current spectroscopic techniques, Appl. Spectrosc. Rev., 0, 1
Chiriu, 2018, Ageing of ancient paper: a kinetic model of cellulose degradation from Raman spectra, J. Raman Spectrosc., 49, 1802, 10.1002/jrs.5462
Burgio, 2001, Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation, Spectrochim. Acta - Part A Mol. Biomol. Spectrosc., 57, 1491, 10.1016/S1386-1425(00)00495-9
Bell, 1997, Raman spectroscopic library of natural and synthetic pigments (pre- ∼ 1850 AD), Spectrochim. Acta Part A Mol. Biomol. Spectrosc., 53, 2159, 10.1016/S1386-1425(97)00140-6
Christiansen, 2017, Chemical characterization of black and red inks inscribed on ancient Egyptian papyri: the Tebtunis temple library, J. Archaeol. Sci. Rep., 14, 208
Chiriu, 2017, Raman characterization of XIV–XVI centuries Sardinian documents: inks, papers and parchments, Vib. Spectrosc., 92, 70, 10.1016/j.vibspec.2017.05.007
J. Sun, Z. Wu, H. Cheng, Z. Zhang, R.L. Frost, A Raman spectroscopic comparison of calcite and dolomite, Spectrochim. Acta - Part A Mol. Biomol. Spectrosc. 117 (2014) 158–162. https://doi.org/10.1016/j.saa.2013.08.014.
Shebanova, 2003, Raman spectroscopic study of magnetite (FeFe2O4): a new assignment for the vibrational spectrum, J. Solid State Chem., 174, 424, 10.1016/S0022-4596(03)00294-9
Aru, 2014, Mineral impurities in azurite pigments: artistic or natural selection?, J. Raman Spectrosc., 45, 1013, 10.1002/jrs.4469
Jehlička, 2009, Fast detection of sulphate minerals (gypsum, anglesite, baryte) by a portable Raman spectrometer, J. Raman Spectrosc., 40, 1082, 10.1002/jrs.2246
Buzgar, 2009, The Raman study on certain sulfates, An. Stiint. Ale Univ. Al. I. Cuza., 55, 5
Walters, 2022, Portable Raman and XRF analyses of pigments in a 15th-century Mallorcan altarpiece from the Oratorio de Santa Ana in Alcúdia, Spain, J. Archaeol. Sci. Rep., 43
Abdel-Ghani, 2012, A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography-mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings, Vib. Spectrosc., 62, 98, 10.1016/j.vibspec.2012.05.003
Barone, 2016, Nondestructive Raman investigation on wall paintings at Sala Vaccarini in Catania (Sicily), Appl. Phys. A Mater. Sci. Process., 122, 1, 10.1007/s00339-016-0370-7
Coccato, 2017, On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments, Herit. Sci., 5, 1, 10.1186/s40494-017-0125-6
Perez-Rodriguez, 2018, Gildings from Andalusia: materials used in different types of artworks along centuries, J. Cult. Herit., 31, 112, 10.1016/j.culher.2017.11.009
Nodari, 2019, Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders’ characteristic spectral features, Herit. Sci., 7, 7, 10.1186/s40494-019-0249-y
Vetter, 2019, Azurite in medieval illuminated manuscripts: a reflection-FTIR study concerning the characterization of binding media, Herit. Sci., 7, 1, 10.1186/s40494-019-0262-1
Iorio, 2019, Exploring manufacturing process and degradation products of gilt and painted leather, Appl. Sci., 9, 1, 10.3390/app9153016
Gliozzo, 2022, Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases, Archaeol. Anthropol. Sci., 14, 10.1007/s12520-021-01407-z
Iorio, 2021, Mapping at the nanometer scale the effects of sea-salt derived chlorine on cinnabar and lead white by using delayed image extraction in ToF-SIMS, Analyst, 146, 2392, 10.1039/D0AN02350G
Aliatis, 2015, A comparison between ab initio calculated and measured Raman spectrum of triclinic albite (NaAlSi3O8), J. Raman Spectrosc., 46, 501, 10.1002/jrs.4670
Zaffino, 2015, Exploiting external reflection FTIR spectroscopy for the in-situ identification of pigments and binders in illuminated manuscripts. Brochantite and posnjakite as a case study, Spectrochim. Acta - Part A Mol. Biomol. Spectrosc., 136, 1076, 10.1016/j.saa.2014.09.132
Best, 1995, Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an icelandic manuscript, Stud. Conserv., 40, 31
Janković, 2010, New hybrid properties of TiO 2 nanoparticles surface modified with catecholate type ligands, Nanoscale Res. Lett., 5, 81, 10.1007/s11671-009-9447-y
Mohammed-Ziegler, 2002, Vibrational spectroscopic calculations on pyrogallol and gallic acid, J. Mol. Struct. Theochem., 618, 259, 10.1016/S0166-1280(02)00547-X
Selvaraj, 2018, Vibrational (FT-IR and FT-Raman), electronic (UV–vis) and quantum chemical investigations on pyrogallol: a study on benzenetriol dimers, Vib. Spectrosc., 95, 16, 10.1016/j.vibspec.2018.01.003
Melo, 2022, Between past and future: advanced studies of ancient colours to safeguard cultural heritage and new sustainable applications, Dye. Pigment, 208
Kok, 1966, A short history of the orchil dyes, Lichenol, 3, 248, 10.1017/S002428296600029X
Melo, 2016, Organic dyes in illuminated manuscripts: A unique cultural and historic record, Philos. Trans. R. Soc. A Math. Phys. Eng. Sci., 374
Serafini, 2019, A new multi analytical approach for the identification of synthetic and natural dyes mixtures. The case of orcein-mauveine mixture in a historical dress of a Sicilian noblewoman of nineteenth century, Nat. Prod. Res, 33, 1040, 10.1080/14786419.2017.1342643
Valadas, 2015, On the use of the unusual green pigment brochantite (Cu4(SO4)(OH)6) in the 16th-century portuguese-flemish paintings attributed to the master frei carlos workshop, Microsc. Microanal., 21, 518, 10.1017/S1431927615000094
Bersani, 2008, Pigments and binders in “Madonna col Bambino e S. Giovannino” by Botticelli investigated by micro-Raman and GC/MS, J. Cult. Herit., 9, 97, 10.1016/j.culher.2007.05.005
Buse, 2019, New insights into synthetic copper greens: the search for specific signatures by raman and infrared spectroscopy for their characterization in medieval artworks, Heritage, 2, 1614, 10.3390/heritage2020099
Rak, 2020, Novel procedure for brochantite based pigment production and its immobilization for restoration of historical copper objects, Coatings, 10, 1, 10.3390/coatings10100972
Mészárosová, 2018, Hydrothermal-to-metasomatic overprint of the neovolcanic rocks evidenced by composite apatite crystals: a case study from the Maglovec Hill, Slanské vrchy Mountains, Slovakia, Geol. Carpath., 69, 439, 10.1515/geoca-2018-0025
Sodo, 2019, Raman and time of flight secondary ion mass spectrometry investigation answers specific conservation questions on Bosch painting Saint Wilgefortis Triptych, J. Raman Spectrosc., 50, 150, 10.1002/jrs.5479
Monico, 2014, Raman study of different crystalline forms of PbCrO4 and PbCr1-xSxO4 solid solutions for the noninvasive identification of Chrome yellows in paintings: a focus on works by vincent van Gogh, J. Raman Spectrosc., 45, 1034, 10.1002/jrs.4548
Zuena, 2021, The techniques and materials of a 16th century drawing by Giorgio Vasari: a multi-analytical investigation, Microchem. J., 170, 10.1016/j.microc.2021.106757
De Faria, 2007, Heated goethite and natural hematite: can Raman spectroscopy be used to differentiate them, Vib. Spectrosc., 45, 117, 10.1016/j.vibspec.2007.07.003
Petrea, 2013, Some aspects of the characterization of vegetable gums: Prunus persica (plum) and prunus domestica (cherry), Cellul. Chem. Technol., 47, 369
M. Kędzierska-Matysek, A. Matwijczuk, M. Florek, J. Barłowska, A. Wolanciuk, A. Matwijczuk, E. Chruściel, R. Walkowiak, D. Karcz, B. Gładyszewska, Application of FTIR spectroscopy for analysis of the quality of honey, BIO Web Conf. 10 (2018) 02008. https://doi.org/10.1051/bioconf/20181002008.
Duh, 2018, Non-destructive study of iron gall inks in manuscripts, Nucl. Instrum. Methods Phys. Res. Sect. B Beam Interact. Mater. At., 417, 96, 10.1016/j.nimb.2017.08.033
Biocca, 2016, ToF-SIMS study of gilding technique in the fresco Vela della Castità by Giotto’s school, Surf. Interface Anal., 48, 404, 10.1002/sia.5956
Vandenabeele, 2000, Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art, Anal. Chim. Acta, 407, 261, 10.1016/S0003-2670(99)00827-2
Nevin, 2009, Assessment of the ageing of triterpenoid paint varnishes using fluorescence, Raman and FTIR spectroscopy, Anal. Bioanal. Chem., 395, 2139, 10.1007/s00216-009-3005-4
Azémard, 2014, Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy, Microchem. J., 112, 137, 10.1016/j.microc.2013.09.020