Comparing film and videotape

Badderley, W. H.The technique of documentary film production (3rd ed.). New York: Hastings House, 1973. Bensinger, C.Peterson's guide to videotape recording. Los Angeles: Peterson, 1973. Blaker, A. A.Field photography: Beginning and advanced techniques. San Francisco: Freeman, 1976. Cary, M. S. Does civil inattention exist in pedestrian passing?Journal of Personality and Social Psychology, 1978,36, 1185–1193. Collett, P., & Marsh, P. Patterns of public behavior: Collision avoidance on a pedestrian crossing.Semiotica, 1974,12, 281–299. Collier, J.Visual anthropology: Photography as a research tool. New York: Holt, Rinehart & Winston, 1967. Dabbs, J. M., Jr., & Stokes, N. A., III. Beauty is power: The use of space on the sidewalk.Sociometry, 1975,38, 551–557. Kastman Kodak Company.Photographic surveillance techniques for law enforcement agencies (Publ. #M-8). Rochester, N. Y.: Author, 1972a. Eastman Kodak Company.Super 8 photographic surveillance (Publ. #P-233). Rochester, N. Y.: Author, 1972b. Eastman Kodak Company.Kodak professional black-and-white films (Publ. #F-5). Rochester, N. Y.: Author, 1976a. Eastman Kodak Company.Small-batch reversal processing of Kodak B/W films (Publ. #J-6). Rochester, N. Y.: Author, 1976b. Efran, M. G., & Cheyne, J. A. Affective concomitants of the invastion of shared space: Behavioral, physiological, and verbal indicators.Journal of Personality and Social Psychology, 1974,29, 219–226. Eibl-Eibesfeldt, I. Similarities and differences between cultures in expressive movements. In R. A. Hinde (Ed.),Nonverbal communication. Cambridge, Eng.: Cambridge University Press, 1972. Ekman, P., Friesen, W. V., & Tomkins, S. S. Facial affect scoring techniques: A first validity study.Semiotica, 1971,3, 37–58. Hall, E. T.Handbook for Proxemic research. Washington, D.C.: Society for the Anthropology of Visual Communication, 1974. Kendon, A., & Ferber, A. A. A description of some human greetings. In R. P. Michael & J. H. Crook (Eds.),Comparative ecology and the behaviour of primates. London: Academic Press, 1973. Kiger, B. Videography: What does it all mean?American Cinematographer, 1972,53(10), 920–921. Lipton, L.Independent filmmaking. San Francisco: Straight Arrow Books, 1972. Lipton, L.The Super 8 book. San Francisco: Straight Arrow Books, 1975. McDowall, J. J. Interactional synchrony: A reappraisal.Journal of Personality and Social Psychology, 1978,36, 963–975. Patterson, M. L. Tape-recorded cueing for time-sampled observations of nonverbal behavior.Environmental Psychology and Nonverbal Behavior, 1977,2, 26–29. Pincus, E.Guide to filmmaking. New York: Signet, 1972. Robinson, R.The video primer. New York: Links Books, 1974. Schaeffer, J. H. Videotape: New techniques of observation and analysis in anthropology. In P. Hockings (Ed.),Principles of visual anthropology. The Hague: Mouton, 1975. Smith, R. L., McPhail, C., & Pickens, R. G. Reactivity to systematic observation with film: A field experiment.Sociometry, 1975,38, 536–550. Zettl, H.Television production handbook (3rd ed.). Belmont, Calif.: Wadsworth, 1976.