Authenticating discourses of “being oneself” on monetary-motivated livestreams

Discourse, Context and Media - Tập 47 - Trang 100592 - 2022
Chi-hua Hsiao1
1Department of Foreign Languages and Literature, Tunghai University, No.1727, Sec.4, Taiwan Boulevard, Xitun District, Taichung 40704, Taiwan

Tài liệu tham khảo

Abidin, 2015, Communicative intimacies: Influencers and perceived interconnectedness, Ada: A Journal of Gender New Media, and Technology, 8, 1 Association of Internet Researchers. 2002. Ethical Decision-Making and Internet Research. http://aoir.org/ethics/. Berryman, 2017, ‘I guess a lot of people see me as a big sister or a friend’: The role of intimacy in the celebrification of beauty vloggers, Journal of Gender Studies, 26, 307, 10.1080/09589236.2017.1288611 Burgess, 2009 Couldry, 2004, Liveness, “reality, and the mediated habitus from television to the mobile phone, The Communication Review, 7, 353, 10.1080/10714420490886952 Coupland, 2014, Language, society and authenticity: Themes and perspectives, 14 Daubs, M. S. 2011. Immediacy and aesthetic remediation in television and digital media: Mass Media’s challenge to the democratization of media production. Electronic Thesis and Dissertation Repository 284. https://ir.lib.uwo.ca/etd/284. Dyer, 1991, A Star is Born and the construction of authenticity, 132 García-Rapp, 2017, Popularity markers on YouTube’s attention economy: The case of Bubzbeauty, Celebrity Studies, 8, 228, 10.1080/19392397.2016.1242430 Goffman, 1981 Hine, 2015 Hou, 2018, Social media celebrity and the institutionalization of YouTube, Convergence, 25, 534, 10.1177/1354856517750368 Hudson, 2004, “Go away”: Participant objections to being studies and the ethics of chatroom research, The Information Society, 20, 127, 10.1080/01972240490423030 Janeček, 2018, Ownership of personal data in the Internet of Things, Computer Law & Security Review, 34, 1039, 10.1016/j.clsr.2018.04.007 Jerslev, 2016, In the time of the microcelebrity: Celebrification and the YouTuber Zoella, International Journal of Communication, 10, 5233 Jerslev, 2016, What is the self in the celebrity selfie? Celebrification, phatic communication and performativity, Celebrity Studies, 7, 249, 10.1080/19392397.2015.1095644 Li, 2019, Papi Jiang and microcelebrity in China: A multilevel analysis, International Journal of Communication, 13, 3016 Marwick, 2013 Marwick, A. E. (2013b). “They’re really profound women, they’re entrepreneurs”: Conceptions of authenticity in fashion blogging. Presented at the International Conference on Weblogs and Social Media, Cambridge, MA, USA. Marwick, 2015, Instafame: Luxury selfies in the attention economy, Public Culture, 27, 137, 10.1215/08992363-2798379 Marwick, 2011, To see and be seen: Celebrity practice on Twitter, Convergence, 17, 139, 10.1177/1354856510394539 Nayar, 2017, Working it: The professionalization of amateurism in digital adult entertainment, Feminist Media Studies, 17, 473, 10.1080/14680777.2017.1303622 Qiu, 2013, Cuteness as a subtle strategy: Urban female youth and the online feizhuliu culture in contemporary China, Cultural Studies, 27, 225, 10.1080/09502386.2012.738640 Raun, 2018, Capitalizing intimacy: New subcultural forms of micro-celebrity strategies and affective labour on YouTube, Convergence, 24, 99, 10.1177/1354856517736983 Sandel, 2017, Some Taiwanese communication practices and their cultural meaning, 118 Song, 2018, The Making of Microcelebrity: AfreecaTV and the Younger Generation in Neoliberal South Korea, Social Media + Society, 4, 10.1177/2056305118814906 Tolson, 2001, ‘Being yourself’: The pursuit of authentic celebrity, Discourse Studies, 3, 443, 10.1177/1461445601003004007 Tolson, 2006 Tolson, 2010, A new authenticity? Communicative practices on YouTube, Critical Discourse Studies, 7, 277, 10.1080/17405904.2010.511834 Tolson, 2015, The history of television celebrity: A discursive approach, Celebrity Studies, 6, 341, 10.1080/19392397.2015.1062645 Wang, 2020, Chinese affective platform economies: Dating, live streaming, and performative labor on Blued, Media, Culture and Society, 42, 502, 10.1177/0163443719867283 Yang, Y. (2017). In China, live-streaming apps soothe lonely souls and create fortunes. The Los Angeles Times.com. January 5. Retrievable from http://www.latimes.com/world/asia/la-fg-china-live-streaming-20161128-story.html. Yueh, 2017 Zhang, 2021, Richang: an affect-inflected ethnography of Chinese Livestreams, Asiascape: Digital Asia, 8, 15, 10.1163/22142312-12340130 Zhang, 2019, Live-streaming, games and politics of gender performance: The case of Nuzhubo in China, Convergence, 25, 807, 10.1177/1354856517738160 Zou, 2020, Beneath the bitter laughter: Online parodies, structures of feeling and cultural citizenship in China, Global Media and Communication, 16, 131, 10.1177/1742766519900303