Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers

Journal of Voice - Tập 29 - Trang 645.e15-645.e32 - 2015
Lynette Johnson-Read1, Anthony Chmiel1, Emery Schubert1, Joe Wolfe2
1Empirical Musicology Group, School of the Arts and Media, The University of New South Wales, Sydney, New South Wales, Australia
2Acoustics Group, School of Physics, The University of New South Wales, Sydney, New South Wales, Australia

Tài liệu tham khảo

Sataloff, 1991 Sundberg, 2001, Level and center frequency of the singer's formant, J Voice, 15, 176, 10.1016/S0892-1997(01)00019-4 Sundberg, 2009, Text intelligibility and the singer's formant - a relationship?, J Voice, 23, 539, 10.1016/j.jvoice.2008.01.010 Bretos, 2003, Measurements of vibrato parameters in long sustained crescendo notes as sung by ten sopranos, J Voice, 17, 343, 10.1067/S0892-1997(03)00006-7 Howes, 2004, The relationship between measured vibrato characteristics and perception in Western operatic singing, J Voice, 18, 216, 10.1016/j.jvoice.2003.09.003 Sundberg, 2003, My research on the singing voice from a rear-view perspective, THM-QPRS, 45, 11 Sundberg, 1993, Comparisons of pharynx, source, formant and pressure characteristics in operatic and musical theatre singing, J Voice, 7, 301, 10.1016/S0892-1997(05)80118-3 Stone, 2003, Aerodynamic and acoustical measures of speech, operatic, and Broadway vocal styles in a professional female singer, J Voice, 17, 283, 10.1067/S0892-1997(03)00074-2 Bezerra, 2009, The characterisation of the vibrato in lyric and Sertanejo singing styles: acoustic and perceptual auditory aspects, J Voice, 23, 666, 10.1016/j.jvoice.2008.04.002 Vurma, 2002, Where is a singer's voice if it is placed “forward”?, J Voice, 16, 383, 10.1016/S0892-1997(02)00109-1 Kenny, 2006, Acoustic and perceptual appraisal of vocal gestures in the female classical voice, J Voice, 20, 55, 10.1016/j.jvoice.2004.12.002 Kenny D, and Mitchell H, 'Vocal quality in female classical singers: the role of acoustics, perception and pedagogy'. In Proceedings of the 3rd conference on Interdisciplinary Musicology, Tallinn, Estonia; 2007. Ekholm, 1998, Relating objective measurements to expert evaluation of voice quality in Western classical singing, J Voice, 12, 182, 10.1016/S0892-1997(98)80038-6 Bloothooft, 1986, Spectral analysis of sung vowels: III characteristics of singers and modes of singing, J Acoust Soc Am, 79, 852, 10.1121/1.393423 Mitchell, 2004, The impact of 'open throat' technique on vibrato rate, extent and onset in classical singing, Logoped Phoniatr Vocol, 29, 171, 10.1080/14015430410001033 Mitchell, 2008, Open throat: acoustic and perceptual support for pedagogic practice, J Singing, 64, 429 Diaz, 2003, Acoustical comparison between samples of good and poor vibrato in singers, J Voice, 17, 179, 10.1016/S0892-1997(03)00002-X Hakes, 1987, Acoustic properties of straight tone, vibrato, trill and trillo, J Voice, 1, 148, 10.1016/S0892-1997(87)80038-3 Sundberg, 1994, Acoustic and psychoacoustic aspects of vocal vibrato, STL-QPSR, 35, 45 Weiss, 2001, Singer's formant in sopranos: fact or fiction, J Voice, 15, 456, 10.1016/S0892-1997(01)00046-7 Prame, 1994, Measurements of the vibrato rate of ten singers, J Acoust Soc Am, 96, 1979, 10.1121/1.410141 Prame, 1997, Vibrato extent and intonation in professional Western lyric singing, J Acoust Soc Am, 102, 616, 10.1121/1.419735 Elliot, 2006 Spillman, 1996, Performing lieder: the mysterious mix Miller, 1999 Finley R, and Finley C, 'SurveyMonkey'. California, U.S.A.; 2009. Wapnick, 1997, Expert consensus in solo voice performance evaluation, J Voice, 11, 429, 10.1016/S0892-1997(97)80039-2 Joliveau, 2004, Vocal tract resonances in singing: the soprano voice, J Acoust Soc Am, 116, 2343, 10.1121/1.1791717 Audacity 1.3.3 Beta, multi-track audio editor and recorder, http://audacity.sourceforge.net. GNU General Public License software. Rossing, 1986, Acoustic comparison of voice use in solo and choir singing, J Acoust Soc Am, 79, 1975, 10.1121/1.393205 Omori, 1996, Singing power ratio: quantitative evaluation of singing voice quality, J Voice, 10, 228, 10.1016/S0892-1997(96)80003-8 Lartillot, 2008, “A matlab toolbox for music information retrieval,” in Data analysis, machine learning and applications, 261 SPSS IBM, 'SPSS Statistics Package Version 22'. New York, U.S.A.: 2013. Sundberg, 1987 Schutte, 1985, Intraindividual parameters of the singer's formant, Folia Phoniatr(Basel), 37, 31, 10.1159/000265776 Barnes, 2004, The relationship between professional operatic soprano voice and high range spectral energy, J Acoust Soc Am, 116, 530, 10.1121/1.1710505 Sundberg, 1977, The acoustics of the singing voice, Sci Am, 236, 82, 10.1038/scientificamerican0377-82 Fletcher, 2001, “Vibrato in Music”, Acoustics Australia, 29, 91 Bregman, 1990