3D dynamic fashion design development using digital technology and its potential in online platforms

Ancutiene, K., Strazdiene, E., & Lekeckas, K. (2013). Quality evaluation of the appearance of virtual close fitting woven garments. The Journal of the Textile Institute, 105(3), 337–347. https://doi.org/10.1080/00405000.2013.840412 Beck, L., Trombetta, W., & Share, S. (1986). Using focus group sessions before decisions are made. North Carolina Medical Journal, 47(2), 73–74. Berzowska, J. (2005). Electronic textiles: Wearable computers, reactive fashion, and soft computation. Textile: the Journal of Cloth and Culture, 3(1), 58–75. https://doi.org/10.2752/147597505778052639 Breen, R. L. (2006). A practical guide to focus-group research. Journal of Geography in Higher Education, 30(3), 463–475. https://doi.org/10.1080/03098260600927575 Buechley, L., Eisenberg, M., Catchen, J., & Crockett, A. (2008). The LilyPad Arduino: Using computational textiles to investigate engagement, aesthetics, and diversity in computer science education. Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, USA, 423–432. https://doi.org/10.1145/1357054.1357123 Carey, M. A. (1994). The group effect in focus groups: Planning, implementing and interpreting focus group research. In J. M. Morse (Ed.), Critical issues in qualitative research (pp. 225–241). Sage. Cash, T. F. (2012). Cognitive-behavioral perspectives on body image. In T. F. Cash (Ed.), Encyclopedia of body image and human appearance (pp. 334–342). Elsevier Academic Press. Cash, T. F., & Pruzinsky, T. (2004). Body image: A handbook of theory, research, and clinical practice. The Guilford Press. Choi, K. H. (2019a). Digitalized dynamic fashion illustration, using motion graphics. Proceedings of International Conference on Fashion Communication: Between Tradition and Future Digital Developments, Switzerland, 9–20. https://doi.org/10.1007/978-3-030-15436-3 Choi, K. H. (2019b). Digitalized dynamic fashion design: Graphical patterns in motion. Fashion & Textile Research Journal, 21(4), 420–431. https://doi.org/10.5805/SFTI.2019.21.4.420 Chun, J. H. (2011). A review of the characteristics of digital art expressed in contemporary fashion. International Journal of Fashion Design, Technology and Education, 4(3), 161–171. https://doi.org/10.1080/17543266.2011.585475 Clarke, S. E. B., & Harris, J. (2012). Digital visions for fashion and textiles: Made in code. Thames and Hudson. CLO Virtual Fashion (n.d.). What makes CLO different? https://www.clo3d.com/explore/whyclo. Creswell, J. R. (2013). Qualitative inquiry and research design: Choosing among five approaches. Sage. DeRoulet, D. G. (1993). Mass-customization: It’s not an oxymoron. Transportation & Distribution, 34(2), 40. Devendorf, L., et al. (2016). I don't want to wear a screen: Probing perceptions of and possibilities for dynamic displays on clothing. Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, USA, 6028–6039. https://doi.org/10.1145/2858036.2858192 Dunne, L. E., Profita, H., Zeagler, C., Clawson, J., Gilliland, S., Do, E. Y. L., & Budd, J. (2014). The social comfort of wearable technology and gestural interaction. Proceedings of the 36th Annual International Conference of the IEEE Engineering in Medicine and Biology Society, USA, 4159–4162. https://doi.org/10.1109/EMBC.2014.6944540 Farren, A., & Hutchison, A. (2004). Digital clothes: Active, dynamic, and virtual textiles and garments. Textile, 2(3), 290–307. https://doi.org/10.2752/147597504778052676 Farrer, J. (2011). Remediation: Discussing fashion textiles sustainability. In A. Gwilt & T. Rissanen (Eds.), Shaping sustainable fashion: Changing the way we make and us clothes (pp. 19–34). Earthscan. Fiore, A. M., Lee, S., Kunz, G., & Campbell, J. R. (2001). Relationship between optimum stimulation level and willingness to use mass customization options. Journal of Fashion Marketing and Management, 5(2), 99–107. https://doi.org/10.1108/EUM0000000007281 Gillespie, T. (2018). Custodians of the internet: Platforms, content moderation, and the hidden decisions that shape social media. Yale University Press. Gilliland, N. (2020, September 17). Why luxury fashion brands are using gaming to drive revenue and marketing opportunities. https://econsultancy.com/why-luxury-fashion-brands-using-gaming-drive-revenue-marketing-opportunities/. Accessed 28 Feb 2021 HADEEART (n.d.). Transformer dress. ARTSTATION. https://www.artstation.com/artwork/GXAyA4 Joseph, F., Smitheram, M., Cleveland, D., Stephens, C., & Fisher, H. (2017). Digital materiality, embodied practices and fashionable interactions in the design of soft wearable technologies. International Journal of Design, 11(3. Special issue on Designing for Wearable and Fashionable Interactions), 7–15. Ju, K., & Jeong, Y. (2016). Usage & education of the CLO3D virtual clothing program in the development office & academic. Fashion Information and Technology, 13, 51–59 Kim, D., & Labat, K. (2012). An exploratory study of the accuracy and fidelity of a three dimensional garment simulation. Textile Research Journal, 83(2), 171–184. https://doi.org/10.1177/0040517512458339 Kim, T. H., Lee, H. Y., Namkoong, H., Choi, S. Y., & Yang, H. (2020). Effect of perceived technological innovativeness on revisit and word-of-mouth intention in augmented reality store-focusing on curiosity and fun. Journal of the Korean Society of Clothing and Textiles, 44(4), 676–690. https://doi.org/10.5850/JKSCT.2020.44.4.676 Kleinberger, R., & Panjwani, A. (2018). Digitally enchanted wear: a novel approach in the field of dresses as dynamic digital displays. Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction, 27–34. https://doi.org/10.1145/3173225.3173250 Koo, H. S., Dunne, L., & Bye, E. (2014). Design functions in transformable garments for sustainability. International Journal of Fashion Design, Technology and Education, 7(1), 10–20. https://doi.org/10.1080/17543266.2013.845250 Krueger, R. A. (2014). Focus groups: A practical guide for applied research. Sage. Lau, K. W. & Lee, P. Y. (2019). Shopping in virtual reality: A study on consumers’ shopping experience in a stereoscopic virtual reality. Virtual Reality, 23, 255–268. https://doi.org/10.1007/s10055-018-0362-3 Mackey, A., Wakkary, R., Wensveen, S., & Tomico, O. (2017). ‘Can I wear this?’ Blending clothing and digital expression by wearing dynamic fabric. International Journal of Design, 11(3), 51–65 Mackey, A., Wensveen, S., Wakkary, R., Hupfeld, A., & Tomico, O. (2019). Wearing digital shimmers: A fashion-centric approach to wearable technology. Proceedings of the 4th Biennial Research Through Design Conference, The Netherlands, 19–22. https://doi.org/10.6084/m9.figshare.7855862.v1 Makryniotis, T. (2018). Fashion and costume design in electronic entertainment—bridging the gap between character and fashion design. Fashion Practice, 10(1), 99–118. https://doi.org/10.1080/17569370.2017.1412595 McCann, J. (2016). Sportswear design for the active aging. Fashion Practice, 8(2), 234–256. https://doi.org/10.1080/17569370.2016.1215118 McQuillan, H. (2020). Digital 3D design as a tool for augmenting zero-waste fashion design practice. International Journal of Fashion Design, Technology and Education, 13(1), 89–100. https://doi.org/10.1080/17543266.2020.1737248 Merriam-Webster. (n.d.). Virtual. Merriam-Webster. https://www.merriam-webster.com/dictionary/virtual Mitra, A. (2003). Cybernetic space: Bringing the virtual and real together. Journal of Interactive Advertising, 3(2), 1–9. https://doi.org/10.1080/15252019.2003.10722069 Mori, M (2012) [1970]. The uncanny valley. IEEE Robotics & Automation Magazine, 19(2), 98–100. https://doi.org/10.1109/MRA.2012.2192811 Orth, M. (2004). Dynamic double weave. In S. Seymour (Ed.), Fashionable technology (p. 75). Springer Wien. Park, J. (2018). Emotional reactions to the 3D virtual body and future willingness: The effects of self-esteem and social physique anxiety. Virtual Reality, 22, 1–11. https://doi.org/10.1007/s10055-017-0314-3 Porterfield, A., & Lamar, T. A. (2017). Examining the effectiveness of virtual fitting with 3D garment simulation. International Journal of Fashion Design, Technology and Education, 10(3), 320–330. https://doi.org/10.1080/17543266.2016.1250290 Post, E. R., Orth, M., Russo, P. R., & Gershenfeld, N. (2000). E-broidery: Design and fabrication of textile-based computing. IBM Systems Journal, 39(3.4), 840–860. https://doi.org/10.1147/sj.393.0840 Quinn, B. (2012). Fashion futures. Merrell. Rahman, O., & Gong, M. (2016). Sustainable practices and transformable fashion design–Chinese professional and consumer perspectives. International Journal of Fashion Design, Technology and Education, 9(3), 233–247. https://doi.org/10.1080/17543266.2016.1167256 Roberts-Islam, B. (2020, April 6). Virtual catwalks and digital fashion: How COVID-19 is changing the fashion industry. Forbes. https://www.forbes.com/sites/brookerobertsislam/2020/04/06/virtual-catwalks-and-digital-fashion-how-covid-19-is-changing-the-fashion-industry/?sh=6bf5c038554e Robertson, S., Taylor, S., Christie, R., Fletcher, J., & Rossini, L. (2008). Designing with a responsive colour palette: The development of colour and pattern changing products. Advances in Science and Technology, 60, 26–31. https://doi.org/10.4028/www.scientific.net/AST.60.26 Sheth, J. N., & Sisodia, R. S. (1997). Consumer behavior in the future. Electronic marketing and the consumer, 17-37. Scolere, L. (2019). Negotiating collaboration and commodification: The social media logic of co-design on Pinterest. CoDesign. https://doi.org/10.1080/15710882.2019.1632902 Thompson, J. K., & Smolak, L. (2001). Body image, eating disorders, and obesity in youth: Assessment, prevention, and treatment. Taylor & Francis. Thompson, J. K., Heinberg, L. J., Altabe, M., & Tantleff-Dunn, S. (1999). Exacting beauty: Theory, assessment, and treatment of body image disturbance. American Psychological Association. Tomico, O., Hallnäs, L., Liang, R. H., & Wensveen, S. A. (2017). Towards a next wave of wearable and fashionable interactions. International Journal of Design, 11(3), 1–6 Ulrich, P., Anderson-Connell, L. J., & Wu, W. (2003). Consumer codesign of apparel for mass customization. Journal of Fashion Marketing and Management, 7(4), 398–412. https://doi.org/10.1108/13612020310496985 VOCAST (n.d.). The digital showroom boom: Reinventing the fashion experience. VOCAST. https://vocast.com/the-digital-showroom-boom-reinventing-the-fashion-experience Wang, Y., & Chen, H. (2019). The influence of dialogic engagement and prominence on visual placement in virtual reality videos. Journal of Business Research, 100, 493–502. https://doi.org/10.1016/j.jbusres.2019.01.018 Wang, L., Shen, B., & Liu, X. (2017). The value of design collaboration in the fashion business: A literature review. The Design Journal, 20(6), 795–820. https://doi.org/10.1080/14606925.2017.1370667 WITHIN24+ALLSTUDIOS (n.d.). WITHIN24+ALLSTUDIOS. http://shop2.allstudios.cafe24.com/index.html Worbin, L. (2010). Designing dynamic textile patterns. Litorapid Media AB. https://www.diva-portal.org/smash/get/diva2:876942/FULLTEXT01.pdf Wu, J. (2010). Co-design communities online: Turning public creativity into wearable and sellable fashions. Fashion Practice, 2(1), 85–104. https://doi.org/10.2752/175693810X12640026716474 Wu, S., Kang, Y., Kang, Z. Y., Kim, A., Kim, N., Martin, K., & Ko, H. S. (2013). Transforming Dress. Proceedings of the 1st international conference on digital fashion, UK, 89–95. http://eprints.hud.ac.uk/id/eprint/32024/