The Man in the Gray Flannel Suitin the executive suite
Tóm tắt
Từ khóa
Tài liệu tham khảo
(The) Apartment (1960), directed by Billy Wilder, MGM/UA Home Video, 2001, Culver City, CA.
Barnard, C.I. (1938), The Functions of the Executive, Harvard University Press, Cambridge, MA.
Boozer, J. (2003), Career Movies: American Business and the Success Mystique, University of Texas Press, Austin, TX.
Boyer, P.S. (1999), Promises to Keep: The United States since World War II, 2nd ed., Houghton Mifflin, Boston, MA.
Bursk, E.C. and Fen, D.H. Jr (Eds) (1956), Planning the Future Strategy of Your Business, McGraw‐Hill, New York, NY.
Cash McCall (1995), directed by Joseph Pevney. VHS, Warner Home Video, Burbank, CA, 1995.
Chandler, A.D. Jr (1969), “The structure of American industry in the twentieth century: a historical overview”, Business History Review, Vol. 43, pp. 255‐98.
David, D.K. (1949), “Business responsibilities in an uncertain world”, Harvard Business Review, Vol. 29, pp. 1‐9, (supplement).
Desk Set (1957), directed by Walter Lang, Twentieth‐Century Fox, 2004, Los Angeles, CA.
Didrichsen, J. (1972), “The development of diversified and conglomerate firms in the United States, 1920‐1970”, Business History Review, Vol. 46, pp. 201‐19.
Drucker, P.F. (1946), Concept of the Corporation, John Day Company, New York, NY.
Drucker, P.F. (1954), The Practice of Management, Harper and Row, New York, NY.
Executive Suite (1954), directed by Robert Wise, VHS, Warner Home Video, 1998, Burbank, CA.
Gabor, A. (2000), The Capitalist Philosophers: The Geniuses of Modern Business – Their Lives, Times, and Ideas, Three Rivers Press, New York, NY.
Gallup, G.H. (1972), The Gallup Poll: Public Opinion, 1935‐1971, Random House, New York, NY.
Goodwyn, L. (1978), The Populist Moment: A Short History of the Agrarian Revolt in America, Oxford University Press, New York, NY.
Gould, J. (1955), “Patterns”, New York Times, January 17, p. 26.
(The) Graduate (1967), directed by Mike Nichols, DVD, MGM, 2005, Culver City, CA.
Hawes, W. (1986), The American Television Drama: The Experimental Years, University of Alabama Press, Tuscaloosa, AL.
Heller, J. (1961), Catch‐22: A Novel, Simon and Schuster, New York, NY.
Hempel, E.H. (1945), Top Management Planning: Methods Needed for Post‐war Orientation of Industrial Companies, Harper & Brothers, New York, NY.
Horowitz, H.W. (1954), “Loyalty tests for employment in the motion picture industry”, Stanford Law Review, Vol. 6, pp. 438‐72.
Hudson, E. (1975), “Rod Serling of ‘Twilight Zone’ and ‘Night Gallery’ on TV dies”, New York Times, June 29, p. 35.
Irons, P.H. (1974), “American business and the origins of McCarthyism: the Cold War crusade of the United States chamber of commerce”, The Spectre: Original Essays on the Cold War and the Origins of McCarthyism, New Viewpoints, New York, NY.
It's a Wonderful life (1946), It's a Wonderful Life, directed by Frank Capra, Paramount Home Video, 2006, Los Angeles, CA.
Kaledin, E. (2000), Daily Life in the United States, 1940‐1959: Shifting Worlds, Greenwood Press, Westport, CN.
Kazin, M. (1998), The Populist Persuasion in American History, Cornell University Press, Ithaca, New York, NY.
Lause, K. and Nachbar, J. (1992), Popular Culture: An Introductory Text, Bowling Green State University Popular Press, Bowling Green, KY.
Lichter, R.S., Lichter, L.S. and Amundson, D. (1997), “Does Hollywood hate business or money?”, Journal of Commentary, Vol. 47, pp. 68‐84.
Lodge, G.C. (1977), The New American Ideology: How the Ideological Basis of Legitimate Authority in America is being Transformed – the Profound Implications for Our Society in General and the Great Corporations in Particular, Alfred A. Knopf, New York, NY.
McBride, J. (1992), Frank Capra: The Catastrophe of Success, Simon & Schuster, New York, NY.
McGerr, M. (2003), A Fierce Discontent: The Rise and Fall of the Progressive Movement in America, The Free Press, New York, NY.
(The) Man in the Gray Flannel Suit (1956), directed by Nunnally Johnson, Twentieth‐Century Fox, 2005, Los Angeles, CA.
Merchand, R. (1998), Creating the Corporate Soul: The Rise of Public Relations and Corporate Imagery in American Big Business, University California Press, Berkley, CA.
Modern Times (1936), directed by Charlie Chaplin, Image Entertainment, 2000, Chatsworth, CA.
Moran, K. and Rogin, M. (2000), “What's the matter with Capra? Sullivan's travels and the popular front”, Representations, Vol. 71, pp. 106‐34.
Newcomer, M. (1955), “Professionalization of leadership in the big business corporation”, Business History Review, Vol. 29, pp. 54‐63.
Noakes, J.A. (2000), “Official frames in social movement theory: the FBI, HUAC, and the communist threat in Hollywood”, Sociological Quarterly, Vol. 41, pp. 657‐80.
Packard, V. (1957), The Hidden Persuaders, David McKay, New York, NY.
Packard, V. (1959), Status Seekers: An Exploration of Class Behavior in America and the Hidden Barriers that Affect You, Your Community, and Your Future, David McKay, New York, NY.
Pajama Game (1957), directed by George Abbott and Stanley Donan, Warner Home Video, 2005, Burbank, CA.
Peterson, E. and Plowman, E.G. (1948), Business Organization and Management, Richard D. Irwin, Chicago, IL.
Pollack, N. (1962), The Populist Response to Industrial America, Harvard University Press, Cambridge, MA.
Porter, L.W. (1963), “Where is the organization man?”, Harvard Business Review, Vol. 41, pp. 53‐62.
Ribstein, L.E. (2005), “Wall street and vine: Hollywood's view of business”, Working Paper LE05‐010, University of Illinois Law and Economics, Champaign, IL.
Roper, E. (1949), “The public looks at business”, Harvard Business Review, Vol. 27, pp. 165‐75.
Sabrina (1954), directed by Billy Wilder, Paramount Home Video, 2001, Hollywood, CA.
Sander, G.F. (1992), Serling: The Rise and Twilight of Television's Last Angry Man, Dutton, New York, NY.
Schumach, M. (1964), The Face on the Cutting Room Floor: The Story of Movie and Television Censorship, DaCapo Press, New York, NY.
Serling, R. (1957), Patterns: Four Television Plays with the Author's Personal Commentaries, Bantam Books, New York, NY.
Shanley, J.P. (1956), “Author who arrived”, New York Times, April 22, p. 123.
Shugan, S.M. (2006), “Antibusiness movies and folk marketing”, Marketing Science, Vol. 25, pp. 681‐5.
Sobel, R. (1993), The Age of Giant Corporations: A Microeconomic History of American Business, 1914‐1992, Greenwood Press, Westport, CT.
Solid Gold Cadillac (1956), Solid Gold Cadillac, directed by Richard Quine, Sony Pictures, 2003, Culvert City, CA.
Spector, B. (1977), “'Wasn't that a time? Pete Seeger and the anti‐communist blacklist”, unpublished dissertation, University of Missouri at Columbia, Columbia, MO.
Spector, B. (2006), “The Harvard Business Review goes to war”, Management and Organization History, Vol. 1, pp. 273‐95.
Spector, B. (2007), “Doing well by doing good – a critical assessment”, paper presented at the Academy of Management Annual Meeting. Philadelphia, PA.
Suber, H. (1968), The Anti‐communist Blacklist in the Hollywood Motion Picture Industry, UCLA, Los Angeles, CA.
Theberge, L.J. (Ed.) (1981), Crooks, Conmen and Clowns: Businessmen in TV Entertainment, Media Institute, Washington, DC.
Thelen, D.P. (1972), The New Citizenship: Origins of Progressivism in Wisconsin, 1885‐1900, University of Missouri Press, Columbia, MO.
Thelen, D.P. (1986), Paths of Resistance: Tradition and Dignity in Industrializing Missouri, Oxford University Press, New York, NY.
Wheiler, A.H. (1956), “’Patterns’ bows at Mayfair; powerful video drama scores in new form”, New York Times, March 28, p. 48.
Whyte, W.H. (1956), The Organization Man, Simon & Schuster, New York, NY.
Wilk, M. (1977), The Golden Age of Television: Notes from the Survivors, Dell, New York, NY.
Will Success Spoil Rock Hunter? (1957), directed by Frank Tashlin. Released in Jayne Mansfield Collection, 2006. Twentieth‐Century Fox, Los Angeles, CA.
Woman's World (1954), Woman's World, directed by Jean Negulesco. VHS, Fox Video, 1995, Beverly Hills, CA.
Woodward, C.V. (1963), Tom Watson: Agrarian Rebel, Oxford University Press, New York, NY.
